Tag Archives: rauchbier

Lager Beer Made In USA, Part 4: Notch Brewing, Session Beer Experts

This is the fourth part in my series about some of the excellent lager beer that we had on our trip to the US in June 2024. Our final stop was Boston, MA. One place my wife and I definitely wanted to visit was Salem (probably best known for the deadliest witch hunt in the history of North America) just outside of Boston, but it wasn’t for the touristy witch trial stuff. Rather, we wanted to go to Notch Brewing, known for brewing top-notch (no pun intended) examples of Central European beer styles.

Notch Brewing (Salem, MA): Session Beer Experts

Unlike the previous visits at Dovetail, Goldfinger, and Live Oak, I did not know anyone at the brewery, didn’t get in touch previously, and wasn’t introduced by anybody. Notch were also the only ones of these that didn’t serve a Vienna Lager at the time of my visit (it is apparently a thing, though, according to untappd), so this was just a visit for our own quiet enjoyment.

After just 35 minutes on the train from Boston North Station to Salem and another 15 to 20 minutes of walking we arrived at the brewery that had only just opened. My plan was clear: to try as many of the classic styles as possible. Fortunately, Notch makes this very easy as most beers are between 4.0 and 4.5% ABV, and are optionally served as Schnitt/šnyt.

A view at the menu at Notch, with a long row of beer glasses on two shelves underneath.
A view at the menu at Notch, with a long row of beer glasses on two shelves underneath.

Louise’s first choice was Ungespundet, Notch’s take on a Franconian Kellerbier, while I went for Tenner, a 10° Czech-style pale lager. That beer strength is known in Czech as desítka, of which “tenner” is a direct translation.

We sat down with our beers in the gravelly beer garden that was set up with classic German beer tables and benches and wide sun umbrellas, right next to Salem’s harbour.

The Tenner was perfection. I feel like a broken record over the 4 parts of this series, but that beer was a great example of a 10° Czech pale lager, formulated and brewed by someone who obviously understands the style very well and enjoys it themselves.

A Notch-branded Willibecher of Ungespundet next to a Tübinger glass of Tenner.
A Notch-branded Willibecher of Ungespundet next to a Tübinger glass of Tenner.

Louise equally enjoyed her Kellerbier, and after I tried it as well, we both came to the conclusion that it bears resemblance to pre-2021 Mahrs aU. It is obviously not a direct clone, but again a beer developed by someone who knows their Franconian beers very well (and frankly speaking, Notch Ungespundet would fit perfectly into any Franconian Bierkeller).

That someone is Chris Lohring, a 30 year veteran of the Massachusetts craft brewing scene. Much has been written about him and Notch, like this article by my friend Joe in the Brewing Industry Guide, or this brewery portrait in Good Beer Hunting. And he’s certainly a man with strong opinions, like in this podcast episode of Craft Beer & Brewing (and I’m not somebody to agree with all his opinions, but it’s a great source to gain a better understanding how he approaches brewing at Notch).

The view from the outside into the brew house at Notch in Salem. While the gate is open, access is blocked off with a yellow chain and a sign saying "Authorized Personnel Only".
The view from the outside into the brew house at Notch in Salem. While the gate is open, access is blocked off with a yellow chain and a sign saying “Authorized Personnel Only”.

After this first excellent thirst quencher, I went on to try other beers. As a big fan of Czech Dark Lager with some strong opinions about it (read about my favourite tmavý recipe which is probably the best beer I ever brewed), I of course had to try Notch’s version. While it was very good, it was also a bit too roasty for my taste. But that’s fine, tmavé pivo comes in many expressions, some sweeter, some drier, some more going towards chocolate and caramel, some more roasted, some stronger, some lighter, some brown, some black.

A Tübinger glass with Notch Tmavý. Thick foam sticks to the side of the glass, while the beer is a very dark brown that still lets pass through a little bit of light.
A Tübinger glass with Notch Tmavý. Thick foam sticks to the side of the glass, while the beer is a very dark brown that still lets pass through a little bit of light.

In the connected world of the 21st century, I’m always “on” with my Stammtisch friends, so when I posted pictures of Notch to our private Signal channel, including the menu, I almost immediately got a request what to try next. It was the Kölsch (served in a half-liter Willibecher, sorry purists!) that I chose. With only a medium bitterness, a hint of floral hops, and a restrained fruitiness from the top-fermenting yeast it was very convincing and I think captured the essence of good Kölsch. Probably the only two things that stood in the way of the beer not getting served by a Köbes in Cologne were where it was produced (i.e. not in Cologne) and that it was unfiltered and looked ever so slightly hazy. Nevertheless an excellent example of the style.

I then went on to try all the other beers that I could: I remember the German Pils as generally very good but not to the point where I remember anything specific about it (I did not take any notes, as this brewery visit was just about enjoying ourselves), while the Helles Rauchbier was memorable as what I basically perceived as a clone of Schlenkerla Helles. Ironically, Schlenkerla does not serve their smoked Helles in their Bamberg pub/restaurant at all, so getting a beer like that from draft anywhere always feels like somebody outsmarted Schlenkerla a bit at their smoked Helles game.

Finally, The Standard, their 12° Czech Pale Lager: it felt more full-bodied, more rounded out, and most importantly more balanced than the Tenner. And just like it, a beer that feels like it has teleported you back to Czechia. As it was the last one I had on site, I sipped it more slowly while we were playing a few rounds of skee-ball.

Just before leaving, we also asked for crowlers (1 quart cans that were filled and closed up right at the bar, and they’re meant to be consumed within 2 weeks) of The Standard, Ungespundet and the Kölsch to bring back home. We shared them with our friend Ben about 1.5 weeks after canning. Both Kölsch and The Standard held up really nicely, while the Ungespundet unfortunately did not travel so well and had developed a bit too much diacetyl that ultimately made it not as good and pleasant to drink as straight from the source in Salem.

As with the other breweries discussed in this series, Notch was fantastic to visit as a place that offers a wide range of Central European styles, all super drinkable, all as good as you’d find them in some of the best breweries where the styles originated, and all bundled in a single brewery taproom, like you wouldn’t find it in Europe.

So, what’s next?

This article concludes my series about the 4 best breweries we visited on our trip to the US in June 2024. But worry not, there will be an article with all the other breweries we visited and/or whose beer we drank that didn’t quite make the cut to warrant their own blog posts, because frankly, even though they weren’t quite as amazing as Dovetail, Goldfinger, Live Oak or Notch, there was still lots of great beer that we enjoyed in Chicago, Austin and Boston.

The Diversity of Beer, 200 Years Ago And Now

You’ve probably heard the complaint before: craft beer is becoming monotonous, it’s all about IPA, most breweries just brew hazy bois with a few fruited sours and pastry stouts sprinkled in between, and if they feel extra special, a West Coast IPA. This is usually refuted with the argument that brewers just brew what pays the bills, it’s what people want to drink, etc., which is again countered with lamentation that other beer styles are dying out (ok, a bit hyperbolic) because nobody brews them anymore.

This is not a new phenomenon.

150 to 200 years, German beer and brewing experienced a massive shift. Small breweries were previously mostly brewing relatively small amounts of beer solely for the local market using little to no automation, brewers were organized in guilds, not interested in scaling out their businesses, and sometimes even bound by local law to brew and sell their beer on a rota (Reihebrauen). Then the industrial revolution came and destroyed a lot of these structures.

In some cases it was young brewers with an entrepreneurial spirit taking over from their fathers and looking to expand and grow it using modern technologies, in others it was simply trained brewers backed by money to start entirely new brewing companies with all the latest equipment and scientific knowledge to brew excellent beer.

Bottom-fermented beer became fashionable, and due to how it was produced and stored (at cold temperatures with a yeast that increased the sulphur content of the beer, two factors contributing to a more stable beer) the beer became more suitable for export. Export in this context simply meant shipping it further than what was the common “local” area, but innovations like the railroad made it possible to ship beer quite a bit further, and with the invention of ice waggons, some breweries were even able to establish proper cool chains (a famous example for that is the Dreher brewery in Kleinschwechat near Vienna which shipped ice-chilled lager beer from their brewery to the Paris Expo 1867, one delivery took just 5 days and was kept at a constant 4°C). The beer tasted clean, fresh and properly quenched the thirst of beer drinkers.

People started craving this fashionable beer, so naturally, the market adjusted to it, beer legislation was liberalized, and more brewers had the opportunity to enter the market and brew bottom-fermented beers. At the same time, the old-time breweries where “local beer for local people” had been brewed for hundreds of years, didn’t have the money to upgrade their equipment to brew these new-fangled beer styles, or even to make smoke-free malt like the new lager breweries were doing it.

Within just a few decades, a lot of small, local breweries simply shut down because they couldn’t compete, and local beer styles (German brewing literature at the often spoke of Lokalbiere) simply went extinct because nobody wanted to drink them anymore. A lot of these beers we only know by name these days, a few have been preserved in the form of recipes, though a lot of details like how specific malts were prepared are not so well documented, leaving more questions than answers.

When we look at Germany, which beer styles are prevalent (because craft beer is really just a teeny tiny 1% segment of the whole market) and which of these beer styles are from before the industrial revolution, it becomes apparent how bleak it really is.

To the best of my knowledge, the list is really short: Berliner Weisse, Bavarian Weißbier, Altbier and Kölsch (I like to group them as Rhenish Bitter Beers or Top-Fermented Lager Beers because they are more similar than different though people from Düsseldorf and Cologne may hate me for that), Leipziger Gose, and Bamberger smoked beer, and some of them did not fare too well in the last 70, 80 years and were only just rescued from dying out.

Berliner Weisse was still brewed by a few breweries in both East and West Berlin after World War 2. The biggest shock was probably when Schultheiss stopped brewing their traditional unboiled mixed-fermented version. Berliner Kindl Weisse, a very industrial beer brewed by fermenting a low-alcohol beer normally and blending it with another batch that was just fermented with lactic acid bacteria and then sterile-filtrated, thus became the only available brand on the market. In Berlin, the style was really only rescued by a few craft brewers, such as Andreas Bogk, BrewBaker, Lemke, Schneeeule, Berliner Berg, Vagabund, and others, who specifically intended not to let this piece of beer history die out.

Bavarian Weißbier was already a niche product when it again became permitted for private Bavarian brewers to brew with wheat again, and it only survived because of a relatively small group of connoisseurs, until the 1960s when it suddenly somehow became more fashionable again and thus had its revival.

Altbier and Kölsch were not particularly popular during the interwar period, and really only regained popularity after World War 2: Kölsch as it was marketed as a genuinely local beer, appealing to the hyperlocal patriotism in Cologne, while Düsseldorfer Altbier apparently only regained popularity in the 1960s. Münstersches Altbier, another Altbier style, really only exists in the form of one brewery, Pinkus Müller.

Leipziger Gose was actually functionally extinct from the early 1960s when the last Gose brewery shut its doors until the mid-1980s, and it could only be rebrewed and revived to its original taste because the East German brewers producing it could have it taste-tested by beer drinkers who still remembered it from before the 1960s.

And finally smoked beer. Even in Bamberg, this is kind of a niche product. Of the more than 10 breweries that are still around, only two still make their own smoked malt to brew their very own smoked beer, Brauerei Heller (Schlenkerla) and Brauerei Spezial. Greifenklau stopped their own kilning operation in the early 1970s, but fortunately is still around. Nowadays, they brew some smoked beer as a seasonal product, but their owning malting and kilning operation is long gone. And Polarbär brewery, which I like to call the fourth Bamberg smoked beer brewery isn’t operational since the 1950s or so.

And yet, none of these beer styles are truly extinct or even remotely in danger of going extinct. Why? Simply put, thanks to craft beer. Starting in the US, but now really all over the world, there are countless beer nerds who truly care about these old beer types, some rebrew them at home, others brew them commercially, making these beers that were definitely at the brink of extinction better known to beer drinkers all around the world.

Yes, there is some truth that IPAs and hazies are taking over, and yes, some breweries certainly struggle with that problem, because it’s what pays the bills. “The customer is king”, and it would not make sense economically to brew a beer that would not be as popular and thus not sell as well. In the end, IPAs keep the other styles afloat, as the money earned through them gives brewers some freedom to also try out other styles. Styles that used to extremely local to just small regions of Germany have now gained worldwide fame. Even 50 years ago, this probably would have been mostly unthinkable.