All posts by ak

500 Years Reinheitsgebot? Let’s Discuss

In 2016, the German Reinheitsgebot (beer purity law) is being celebrated to be 500 years old. According to some official document from 1516, beer is only meant to be brewed from barley, hops, and water, and has been the only brewed like that since then in Bavaria, and later in all of Germany. Or so they tell us.

Briefmarke 1983 Reinheitsgebot

I, for one, am highly suspicious about this. My research into historic brewing, both in Germany and Bavaria, have shown me otherwise, that these are neither supported by documented historic brewing practice nor by the legal situation of that time.

The Reinheitsgebot’s lobbyists proponents is mainly Deutscher Brauer-Bund e.V. who have prepared a website with lots of information for the anniversary, including a list of Frequently Asked Questions, to inform the public about this supposed 500 year old tradition that only wants the best for all of us beer drinkers. Having sifted through that material, I stumbled upon imprecise language, which is corrected and/or justified in other places. I suspect that the Reinheitsgebot proponents exactly know about all these imprecisions and inconsistencies, and yet resort to them because they serve a purpose.

I find this highly problematic. I therefore decided that I will present my view on these matters in a “Frequently Questioned Answers” format, where I will point out and correct imprecisions and inconsistencies, all based on facts and backed by sources. In addition that, I will explain why I think the Reinheitsgebot, the official narrative around its history, and its practical implementation in the form of the current German beer-related legislation is not only unhelpful to German beer culture, but how it has also helped erase the rich historic Bavarian and German traditions that have gone beyond just barley, hops and water.

With this series, I plan to further and enrich the discussion about the state of German beer and the planned 500 year celebrations, and help the discourse about the future of German beer.

19th Century Brewing Methods in Germany and Austria

Only the other day, I stumbled upon a book called “The Art of Brewing“, written by one David Booth, published in 1834. It has a whole section of brewing in foreign countries, discussing differences in brewing between Munich, Prague, Vienna, and other cities. The basis for this section is credited to two unnamed guys, can you guess who?

For the greater portion of ” the Brewing in Foreign Countries,” I am indebted to the manuscript and oral communications of two German Brewers (from Vienna and Munich), who have been, and now are, visiting the principal towns of Europe, for the laudable purpose of acquiring information concerning their business.

Yep, that sounds very much like Gregor Sedlmayr and Anton Dreher.

I also found another book, “Vollständige Braukunde” by Johann C. Leuchs,  that discusses the brewing methods of various German cities. In this article, I will try to summarize and discuss different German brewing techniques from the 19th century, and how they would be seen from a modern (home)brewer’s point of view.

Munich

For the mash, a mash tun made out of copper, with a false bottom, and a second, smaller copper, were used. The second copper was used for boiling the mash. The standard recipe is described to be 8 quarters of malt and 60 pounds of best Bavarian or Bohemian hops to produce 27 barrels of keeping beer. Calculating what the outcome of that would be, that would be a beer with about 6 to 7.5 % ABV, with probably 35 to 50 IBU. It does mention the Munich beer as keeping beer, meaning it was matured, or lagered, for a relatively long time.

The coarsely ground malt is doughed in, while the small copper is used to bring liquor to a boil. The boiling liquor is then added to the mash, to result in a 40 °C mash. Then a decoction is drawn, and brought to a boil. The author mentions a thick froth that is beaten down back into the mash. I assume this is hot break, and nowadays you would rather skim the scum instead of beating it back into the mash.

The first boil takes about an hour, where it gets a darker colour, until it is put back into the mash, to raise the temperature to 55 °C. Immediately, another decoction is drawn, but only boiled for 30 minutes, and then put back, with a resulting temperature of 67 °C. A third, thin decoction is then drawn, both taken from the top and taken from the tap (the mash tun has a false bottom, after all). Then it is boiled for 15 minutes, and put back, to reach a temperature of 75 °C. That whole procedure takes about 5 hours.

After that, the wort is drawn off. Hops are added while the first runnings are still drawn off, so this constitutes a first wort hopping. The overall boil lasts 2.5 to 3 hours. Fermentation is bottom-fermenting, as expected. What’s interesting is that after primary fermentation, the young beer is drawn into casks. A batch is spread out over lots of casks, though, so it takes about ten batches to properly fill all the casks. I presume this is to blend all the batches and to end up with a very consistent product over all casks even when the individual batches differ. Lagering period in the cellar is mentioned as lasting eight to ten months. That is indeed a keeping beer.

Beer brewed for the winter differs from this, as less hops are used, more wort is drawn off, and it’s boiled for a shorter period of time. There is very little maturation, and secondary fermentation for carbonation is initiated with Kräusen, and essentially happens in the publican’s cellar. This very much sounds like a running beer. Comparing with modern drinking habits, this is very counter-intuitive, as you’d expect the lighter beer to be brewed for the summer as a refresher, and the bigger beer to be made as a warming, boozy drink.

Augsburg

Apparently, the brewing methods in Augsburg were quite different from the rest of Bavaria. It starts with the malt: it is ground finely. The boiled hops of the previous batch are put on the false bottom prior to putting malt and then cold liquor over it. This is left for six hours. Boiling liquor is then added, and mashed for half an hour, and then more hot liquor is added, to bring it to 60 °C. This is then left for two hours. Sweet wort is then drawn off and put into the cooler. More hot liquor is added, and mashed for half an hour, with the resulting temperature being 67 °C. Then “all the goods” (I presume this means all hard matter) are put into the copper with hot liquor, and boiled for 45 minutes, then put back into the thin mash. The resulting mash is then at 86 °C. After some time, the cooled wort is put into the copper, the wort from the mash is also drawn off, hops are added, and the whole thing is boiled for two hours.

Fermentation is bottom-fermenting, and the beer is ready after about 2 months of maturation. Usually though, it is kept in large vats for a year to 1.5 years.

According to “Vollständige Braukunde”, beer brewed like that requires more cleanliness than the Munich approach, but has a higher yield and produces a milder beer.

Overall, a rather weird method in today’s standards. It seems like an infusion mash in the beginning, but with a final decoction, which would extract complex carbon hydrates, but leave the mash at temperatures where all amylases would have already been denatured, and no enzymes would be left to convert the starches into more simple sugars. Did the Augsburgers like their Blausud? (a Blausud is when a wort sample, mixed with an iodine solution, turns dark blue: it is an indicator that there’s still unconverted starches in the wort)

Prague

Prague’s brewing methods are described as similar to Munich, but with a fermentation “of the opposite kind”, which I assume means that in the 1830’s, Prague was still brewing with top-fermenting yeast.

Dough in starts at 46 to 50 °C, with an initial rest of nearly an hour. During that mash, more hot water is added to reach 59 to 63 °C. Then a decoction is drawn, brought to a brief boil, and then put back to get up to 67 to 68 °C. Then another rest of an hour follows. Wort is then run off, a Vorlauf if you will, with the express purpose to get rid of any grains underneath the false bottom. This wort is brought to a boil, and put back, to bring the temperature of the mash to about 84 °C. It is also emphasized that the grains must not be disturbed. Then a small portion of the wort drawn before is brought to a boil together with the hops, and the hops are taken out after 45 minutes. In total, the wort seems to get drawn off in batches and boiled, with the hops getting reused. A sparge is done, and the runnings are boiled with the hops from the previous boils.

Fermentation is done at 20 to 22 °C, so obviously top-fermenting. Maturation then happens in ice-cooled vaults for four to six weeks, and is served directly out of that cold environment. Yep, ice-cold beer.

Anyway, what we can see here is that the Munich style of mashing is a triple decoction, while Prague employed a double decoction.

Vienna

The crushed malt is doughed in with cold water, and mashed for two to four hours. Then cold wort is drawn off, and is brought to a boil together with liquor, boiling for 45 minutes. The froth on the top is skimmed off. It is then put back onto the malt, with a resulting temperature of 40 °C. Now this seems quite odd to me, as it would mean that a lot of the enzymes in the wort would be denatured quite early on.

Then something truly odd is done: wort is drawn off, and pumped back onto the mash. This is done for over an hour. A certain amount is kept in the copper, and again brought to a boil, but as soon as it starts boiling, it is added back to the rest of the mash, to increase temperature to 57 °C. Then more wort is drawn into the copper, again brought to a boil, boiled for 30 minutes, then put back into the mash. This is now left for 30 minutes at 72 °C. And then more wort is drawn off, again brought to a boil of 45 minutes, put back into the wort, and left for another hour at 82 °C.

Then wort is drawn off once more, and hops are added. When all the wort has been drawn off, the grains are loosened, and water of 56 °C is sprinkled onto it. The wort is boiled for 75 minutes, and some of it is put into the cooler. Then the second runnings are drawn into the copper, and boiled for another 90 minutes.

Then the wort is cooled to about 30 °C, and yeast is added. That’s a crazy pitching temperature. Fermentation is vigorous, and the young beer that is thrown out during the fermentation is collected and fermented in a separate vessel. This sound vaguely like the idea of a Burton Union, although with a separate vessel instead of recirculation. Shortly after fermentation has finished and the yeast has settled, casks of the young beer are sent out to the publicans. This all happens within 3 days.

So, in total, quite a strange process. Kinda like a decoction, except only thin decoctions are drawn. I wonder what prevented this from resulting in a Blausud, as well.

Berlin

This gets interesting now. Berliner Weisse. “The Art of Brewing” describes it as a beer made from 5 parts of wheat malt and 1 part of barley malt. That’s quite different from the 2:1 or 1:1 recipes that are listed in other old publications. “Vollständige Braukunde” mentions 20 parts of barley malt, 10 parts of wheat malt, and 2 parts of oat malt.

The finely ground malt is doughed in, and hot liquor is added to bring the temperature up 52 °C. This is left for an hour. Then wort is drawn off, and boiled with hops for 15 minutes. A thin decoction is drawn to interrupt the boil, and when this has reached 93 °C, it is put back into the mash, and left for 30 minutes, with a resulting temperature of 67 °C. Then another thin decoction is drawn, heated up to 96 °C, then both the mash and the decoction are put into the “tap-tun”, what sounds like a lautering vessel with a false bottom which is covered with straw (some sources say straw used in lautering was previously boiled in water). The resulting temperature in this tun is 75 °C. The wort is then drawn off, very slowly, though, and hot liquor is used for sparging. The overall lauter and sparge takes 7 hours, to produce a very clear wort. The wort is then put into the fermenting vessel, where yeast is added. Fermentation quickly begins, and the beer gets already shipped out to the publicans at this early stage.

In “Art of Brewing”, the author mentions that brewers thus have no yeast, and must buy it back from the publicans. To keep their yeast strains reasonably clean, they preferably buy from publicans that deal with other breweries than their own. The publicans also take care of bottling and storing the beer until it’s drinkable, which is usually after 14 days.

In total, this is quite the interesting process, as it does a kind of decoction, with the hop boil during the mash, and no further boil. Berliner Weisse is often described as a no-boil recipe, and people often ask themselves how the hops are added to it if there is no boil: directly during the mash. This way, the amount of isomerization of the alpha acids is easily to control, which is usually not the case if you added hops to a thicker mash that would undergo several decoctions.

Summary

In this article, I tried to summarize descriptions of different brewing techniques in German and Austrian cities at that time, in particular Munich, Augsburg, Prague, Vienna, and Berlin. It is interesting to see how the approaches completely differ, in particular the amount of decoctions that are drawn, what kind of decoctions are drawn, what is boiled for how long and in what order, and what temperatures are kept. With today’s knowledge and understanding of brewing and the microbiology behind it, it is fascinating to see what would be considered good practice nowadays, and what wouldn’t. The Munich triple decoction is a well-researched and well-documented method, as is the Prague double decoction. You would find descriptions of these in most modern brewing literature. The other methods, not so much. There, we find temperatures that would extract more tannins, or early thin decoctions that would denature lots of crucial enzymes early on in the brewing process. I seriously wonder how these brews went fine, and whether they produced Blausude.

An English Barleywine Recipe

About two years ago, my then girlfriend and I brewed our first Christmas beer. It was an oatmeal milk stout which, in retrospect, had just too many components and was a bit confused, but still drinkable. Right after finishing that, we had another great idea: why not brew a big beer that takes some time for aging, and serve that as Christmas beer in a year’s time? So the obvious style for us was English barleywine. I put together a recipe, we brewed it (and had a very chaotic brew day with too many stuck sparges and very low efficiency), bottled it, and after a year, it came out really nice. We kept a few bottles, and yesterday, we brought some of them to the Christmas beer tasting of the Berlin Homebrewing group.

This beer, now two years old, was well-received, and so I’m documenting the recipe for others to brew it and have the patience of a year or longer to actually get a great beer.

Grist:

  • 83 % Pale Ale Malt
  • 17 % CaraRed

Hops:

  • 2.5 g/l Target @ 90 min
  • 3 g/l East Kent Goldings @ 10 min

Two hour mash at 62 °C, then a 90 minute boil. Nottingham Ale yeast. OG was 22 °P, FG was 3.5 °P. 9.6% ABV. 65 IBU (calculated).

In my notes, I forgot to write down the alpha acid content of the hops that I used. In the end, it doesn’t really matter much, because the hop bitterness almost totally fades, and there is just some very muted, round bitterness there that accentuates the overall maltiness. Because of that, I’m not sure whether anything but a bittering addition really makes sense in the end.

After fermentation, we bottled the beer without any priming whatsoever, and no fresh yeast. It still took up some carbonation, which probably comes from tiny amounts of fermentable sugar left after the main fermentation, which was eventually, and very slowly eaten up by the yeast. After that, we sampled the beer at 3 months, 6 months, and 9 months age. Only at 9 months age, it started to taste nice, but really only reached its full potential after 12 months of bottle maturation. An additional 12 months added even more complexity, and that makes me very happy about this beer and the recipe.

A List of Yeast Banks and Producers for Homebrewers

Nowadays, homebrewers can choose from lots of different yeast strains from various producers and yeast banks. As a reference, I’m putting together all those that I know of and that explicitly cater towards homebrewers. I’m not including commercial or scientific yeast banks because they often do not sell their yeast in homebrewing quantitites for homebrewing prices. Also, if you know of any other places or companies that produce yeast for homebrewers, please let me know in the comments, and I’ll add them to the list.

Liquid yeasts:

Dry yeasts:

Update 2015-11-25:
Another dry yeast supplier I found: Brauwerkstatt

Update 2015-12-25:
Escarpment Labs has recently started making their yeasts available to homebrewers in Canada.

Update 2017-11-02:
Brewlab sells slants of a great variety of British yeast strains for GBP 6.00 per slant plus GBP 5.50 shipping within Europe (GBP 2.50 within the UK).

DMS and Boil Time

After writing about the sources of DMS in beer a few days ago, I stumbled upon another quite interesting paper from 1978 that discusses the influence of boil time on the amount of DMS in beer, titled “Control of the Dimethylsulphide Content of Beer by Regulation of the Copper Boil”.

In this paper, the authors put together two different lager malt blends. LMB 1 was designed in such a way that it was kilned at 65 °C, so that it would only contain inactive DMS precursor (see the previous article about active and inactive DMS precursors). LMB 2 on the other hand for kilned at 70 °C and later at 90 °C, so that it would contain substantional amounts of active DMS precursor. With both malt blends, worts of OG 1.037 (9.25 °P) were produced using a single-step infusion mash at 65 °C. The worts were boiled for different times (from 15 minutes up to 2 hours). Each of the worts were split, and fermented with different yeast strains, NCYC 240 and NCYC 1324. The two different yeast strains differ in the amount of DMS they produce: NCYC 240 produces a high amount, while NCYC 1324 produces a low amount.

What was noticeable in the results from the different boil times alone is that there a strong correlation of boil time with decreased amounts of DMS and DMS precursor in the worts. Consistently, LMB 1 had lower amounts of DMS and DMS precursor compared to LMB 2.

When the authors looked at DMS levels after fermentation, the results were quite clear, as well: a longer boil not only brings down the amount of DMS and DMS precursor in the wort, it also consistently reduces the amount of DMS in the resulting beer.

Influence of Boil Time on DMS Levels in Wort and Beer

The paper concludes that the DMS content in beer can be controlled almost impossible from other influencing factors through the right boil length and temperature. There is one exception though: if the DMS comes from another source than DMS precursor, a longer boil doesn’t reduce besides the normal evaporation.

Just like I hypothesized in my previous article, I will mention this again: I think that the literature is quite clear in that the wort boil has a large influence on DMS levels in beer, just like the specific metabolism of the yeast strain has a large influence, and that in the Brülosophy exbeeriment, the experimenters were just “lucky” in getting the right malt with only low levels of DMS and active DMS precursors, and a yeast strain with only low DMS production.

Sources of DMS in Beer

Quite often, when I run into an issue or a question related to homebrewing that is not answered in the usual homebrewing literature or forums, I turn towards scientific literature. One great example is the Journal of the Institute of Brewing, which makes its issues freely available, with literally more than a hundred years of back issues available.

When earlier today, Brülosophy posted lab results about their DMS exbeeriment, their closing statement irritated me a bit:

But, it’s just as possible our understanding of the relationship between DMS and boil length is simply lacking, that our access to modern technology, higher quality ingredients, and better knowledge about brewing processes has reduced the likelihood of problems brewers of yore had to worry about.

That sentence really made it sound like brewing science is only in its infancy. But that’s definitely not the case. Modern brewing science is lots and lots of organic chemistry, microbiology, and even genetics nowadays, so it would be hardly believable that we knew very little about DMS. I vaguely remember seeing an article about DMS on the mentioned journal, so I dug it up, and first posted a link to it in the comment section of that Brülosophy article. But then I thought, why not write about it? Because the paper itself is great.

So, the interesting that I took out of that article is that there are actually two types of DMS precursor. The paper distinguishes them as “active” and “inactive”. Both have different properties, and come from different sources.

“Inactive” DMS precursor is coming directly from the green malt. If you were to product wort from green malt, the precursor would be decomposed, and the wort would end up with large amounts of DMS, and still a certain amount of DMS precursor. During fermentation, parts of the DMS would dissipate through the gases being given off, while the DMS precursor would be metabolized by the yeast. The yeast wouldn’t make DMS out of it, though, hence why that precursor is called “inactive”.

“Active” DMS precursor is the type of precursor that is created out the inactive precursor during the kilning process. After wort production, there would only be a small amount of DMS in the wort, but still a relevant amount of “active” DMS precursor. During fermentation, that DMS precursor is metabolized by the yeast, which makes DMS out of it. Hence the “active”.

This has some interesting consequences. If the kilning can be done in such a way that no “active” precursor is found in the wort, the yeast will not produce any more DMS during fermentation, and the total amount of DMS in the beer is limited by the amount of DMS in the wort right before pitching. It can even be assumed that some of that DMS will be lost during fermentation. The authors suggest that the amounts of DMS formation during wort production need to be controlled, though. In their experience, it is easier to control DMS levels in beer if it’s derived from DMS precursor in the wort, as the final DMS level can be controlled by using a suitable yeast that keeps DMS production low.

And I think the last bit is the crucial point in the Brülosophy exbeeriment: it’s not that a 30 minute boil vs a 60 minute boil doesn’t have any impact for DMS levels, it’s just that both the specific qualities of the malt and the specific metabolism of the employed yeast do matter, and can have a large impact. My guess is: in the exbeeriment, exactly the “right” malt was used (Bestmalz Pilsner malt, apparently), combined with a yeast strain that only produces low levels of DMS (WLP029, a Kölsch yeast strain). And that perfect combination gave a result that made a 30 minute boil indistinguishable from a 60 minute boil in terms of DMS levels. That said, I would really like to see the same experiment done with a different malt (maybe a less modified floor-malted Bohemian Pilsner malt?) and a yeast strain known for greater DMS level, like a lager yeast. W34/70 comes to mind, for example.

Tasting the Hefeweizen brewed in August

I was quite busy recently, so I didn’t have time to give you an update on the Hefeweizen that I brewed in August.

Fermentation went fine, but took a bit longer than expected to finish up. I then bottled the beer with Speise, and let it referment in the bottle. It carbonated properly.

I first tried the beer about 3 weeks ago. It pours fine. The yeast has formed a relatively hard sediment that took a while to swirl up. When poured, the beer forms a relatively dense foam that falls down at a moderate speed. Colour-wise, it looks a bit darker than your average Hefeweizen, in fact quite close to several commercial products branded as “Urweisse”. Definitely looks pleasant.

In the nose, you get a whiff of acidity, with hints of a phenolic character. It certainly smells like a Hefeweizen. When tasting it, you again get an acidity that almost gets too much over time. It is spritzy, and that acidic component makes it refreshing. The greatest disappointment are the other flavours, though: there is barely any banana coming through, maybe a hint of pear, even though I specifically optimized the wort for ester production. The phenolic side of things is… different. Yes, there are phenols, but it’s not the typical clove character that is so uniqie for the beer style. Not chlorophenolic, though, but still odd.

All in all, I’m a bit disappointed. It is an alright beer, but some of the flavour is just off for the style. I blame the yeast. 😉 I had had quite a few beers, even commercial ones, brewed with WB-06, which exhibited similar issues (high grade of acidity, very few esters and phenols), but I was a bit naive in thinking that I could do better. I wouldn’t mind brewing the beer again, but not with the same yeast. Wyeast 3068 it is next time.

Optimizing a Hefeweizen Mash for Esters and Phenols

A few days ago, I had the idea that I wanted to brew a classic Hefeweizen. In my few years of homebrewing, I had actualy only ever done a “proper” Hefeweizen once, and it was the “Almtaler Hefeweisse” kit from Hopfen&Malz. I wasn’t overly impressed by the specific beer, it seemed a bit too watery for my taste. But then, that may have been purely because it was my third beer that I ever brewed. After that, I brewed two more Hefeweizen, but both with a twist, i.e. a heavy late aroma hopping, followed by some dry-hopping with Nelson Sauvin. That beer was a success, but it’s definitely not your classic Hefeweizen.

A Bavarian Hefeweizen has some specific properties: it’s brewed from a mix of barley malt and wheat malt, with the wheat being at least 50% of the grist. Some commercial examples even contain as much as 70% wheat malt. The beer is cloudy, both from proteins from the wheat malt and yeast in suspension, and while pale, it’s usually a tad darker than your German pale lager, sometimes even going towards a reddish hue. Hop bitterness is very low, with no hop aroma. Alcohol-wise, the typical commercial examples usually have 4.8 to 5.5% ABV. The yeast strains used for that style are top-fermenting. Historically, Hefeweizen did not conform to the Bavarian Purity Law (Reinheitsgebot) because it contains wheat malt, while the Reinheitsgebot only allows barley malt. Special permits were instead issued to those who held the privilege to brew with wheat.

Because I wanted to brew a Hefeweizen on a rather short notice, I went to Bierlieb and got some ingredients. Their choice in ingredients is alright but not great, but definitely enough for quite a few German beer styles, your odd IPA or Belgian-style beer. Unfortunately, they only offer dry yeasts, so I had to get WB-06. Now, the thing is that I’ve heard quite a few bad things about WB-06, namely that it’s a rather bland yeast that produces only tiny amounts of the typical phenolic and ester notes of a proper Hefeweizen. My previous experience with dry yeasts in general and specifically Fermentis dry yeast has been rather good so far (S-04 is my standard for most British styles, US-05 is the Chico strain and so probably the standard for almost everyone’s American styles, and Saflager W-34/70 and S-23 have worked for me in the past, too), so I wanted to give them a try nevertheless.

Just to be sure that I would definitely get enough phenolic (clove) and ester (banana) notes in my Hefeweizen, I was looking for a way to optimize my wort production to provide the yeast with as much of the precursors as possible.

For the clove notes, that’s relatively easy. The phenolic clove notes in Hefeweizen come from the specific yeast strains metabolizing free ferulic acid to 4-vinyl guaiacol. Ferulic acid is in the malt itself, but it needs to be freed and available in the wort. That is usually done through a ferulic acid rest, at about 45 °C.

The banana notes on the other hand are esters, iso-amyl acetate and ethyl acetate, and their production by the yeast directly correlates to the amount of glucose in the wort. So obviously, I’d need to do a mash in a way to increase the amount of glucose. Fortunately, there is a pretty cool method for that, the Herrmann method, or Herrmann-Verfahren in German. It is named after Markus Herrmann who wrote his doctoral thesis at Weihenstephan about the formation and influence of flavouring substances in wheat beer about a decade ago (sorry, German only!).

The principle behind the Herrmann-Verfahren is relatively easy: malt contains a number of enzymes which manipulate starches and complex sugars at specific temperatures. The most important ones are alpha- and beta-amylase that do most of the work. But there is another enzyme, maltase, which can break down maltose into glucose. Unfortunately, maltase works at about 45 °C, and is quickly denatured at higher temperatures. So Herrmann designed a mash schedule that first produces a good amount of maltose through a straightforward Hochkurz infusion mash, with 60% of the grist. Then, a second mash with the remaining 40% of the grist and cold water is done, which is then added to the first mash, bringing it down to 45 °C. That way, the maltase enzymes from the second mash can munch on the maltose produced by the first mash and create more glucose. After that mash, a second dextrinization rest is conducted, followed by mash-out.

The whole process is illustrated here:

Herrmann-Verfahren

That way, you end up with a wort with a lot higher amount of glucose, eventually leading to more esters after fermentation with the right yeast strain. Coincidentally, the 45 °C of the maltase rest is the same temperature that is also necessary for the ferulic acid rest.

The recipe that I came up with for my Hefeweizen looks like this:

Grist:

  • 66.6% Pale Wheat malt
  • 18.5% Pilsner malt
  • 9.3% Munich malt (dark)
  • 5.6% CaraMunich II

Hops:

  • 0.5 g/l Hallertauer Tradition (7% AA) first wort hopping
  • 0.25 g/l Hallertauer Mittelfrüh (3% AA) @ 20 min

60 minute boil. 10 IBU. Mash as described above. WB-06 yeast. OG 13.25 °P. For carbonation, I’m using about 7.5% of the wort as Speise.

For fermentation itself, I’m chilling the wort down to about 17 °C, then I’ll pitch the yeast, and will let the temperature freely rise to ambient temperature (about 23 °C in my flat at the moment). Fermentis recommends for the WB-06 yeast to keep a temperature below 22 °C for clove flavors and above 23 °C for banana flavors. Given that my wort provides the yeast with enough glucose and ferulic acid to actually produce either flavors above the perception threshold, I should be fine with that fermentation schedule to achieve a hopefully balanced Hefeweizen with all the right aromas and flavors and none of the wrong ones.

As soon as the beer is finished, I’ll report back about the results.

Berlin Homebrewing Competition 2015: My English Brown Ale Recipe

As mentioned in my previous article about my results at the Berlin Homebrewing competition 2015, I’m publishing the recipe to my best-performing beer, the English Brown Ale that I submitted to the Brown Ale, Porter, Stout category.

This beer was the first one that I designed for that competition, and since it was announced early that the overall winner would be brewed by Berlin microbrewery, I actually designed the beer to be not contain any too exotic malts or other ingredients, as this could theoretically have been a show-stopper for realizing the recipe at a larger recipe that doesn’t have a malt storage as well-sorted as a homebrewing store. So, that’s what it looks like:

Grist:

  • 67 % Pale Ale Malt
  • 21 % Munich Malt (dark)
  • 11 % CaraAroma
  • 1 % Chocolate Malt

Hops:

  • 1.5 g/l East Kent Goldings (5.8 % AA) @ 60 min
  • 0.75 g/l East Kent Goldings (5.8 % AA) @ 15 min

60 minute mash at 69 °C, then a 60 minute boil. S-04 yeast. OG was 12 °P, FG was 3 °P. 4.8 % ABV. 26 IBU.

The recipe actually went through some refining. The previous version contained only half the amount of Munich malt, only 8.5 % CaraAroma, and a tiny bit more Chocolate Malt. And even the first version is based off another recipe that I had brewed in early 2014, an English Dark Mild, which consisted of 87% Mild Ale malt, 11.5 % CaraAroma and 1.5 % Black Malt. The mix of Pale Ale and Munich Malt is something that I conceived to get a nuttier character into the base malt instead of just plain German-produced Pale Ale Malt. But I think in total, the idea of the dark mild showed through in the brown ale, which in some ways make the latter mostly a bigger version of the former. And I think the end result was definitely pleasant.

Berlin Homebrewing Competiton 2015: Results

Last Thursday, the results of this year’s Berlin homebrewing competition were announced. You can find the winners on the competition website. Congratulations to all the category winners, and especially so to the overall winner, Jörg Schloemer, whose beer “Vienna Calling” will be brewed by Heidenpeters later this year!

Many thanks also go out to Rory, who organized the whole competition to make homebrewing more visible and promote it in Berlin.

I did not win, but of my three submissions, one was particularly well-received by the judges, one showed flaws in the fermentation process of that particular batch, and one… well, judging from the comments, I think half of the judges didn’t fully grasp the beer style. I hold no grudges, though, as this was nevertheless some very valuable feedback.

The beer that got a relatively good score was my English Brown Ale. What I nevertheless found interesting was how differently it was perceived. One judge commented about it as “fizzy”, another one “could be more carbonated”, the third one “CO2 is right”. The average score was 80 of 100 points (note to American readers: this competition was not judged to BJCP standards), and this also reflects in the drinkability score, where it reached a consistent 24 of 30 points by all judges. One judge noticed a very light cardboard flavour, hinting at some minor oxidation issue. This is definitely something where I need to take a closer look at how I bottle my beer.

My second best beer was my Bohemian Pilsner. The scores for that by the four judges were all over the board, with two judges giving it 74 resp. 80 points, while one only gave it 34 points, and one 54 points. One major criticism was lack of head retention and lack of carbonation, which I pretty much expected upfront. We had kegged the beer, and when we bottled the beer, we noticed that we actually didn’t have quite enough beer to fill 4 500ml bottles to submit the beer! So we had to improvise, and I got 4 330ml bottles from the corner shop, poured out the beer, and filled in our beer instead. And even to fill these bottles, we had to underfill them a bit. So of course, if you’re dealing with pouring beer around and through funnels and what not, it will lose quite a bit of fizz.

Diacetyl, a very common (but not absolutely necessary) element of Bohemian Pilsners, was the most controversial part in the judging of this beer: one judge commended on the “nice diacetyl note”, one noted “light diacetyl”, and one noticed diacetyl as an off-flavour. I disagree with the last one, because, as I mentioned, it’s a common element of Bohemian Pilsners. The prototypical Pilsner, Pilsner Urquell, is a shining example for exactly that, especially so when served in a tank bar, or unfiltered and unpasteurized from cask. Besides that, one judge thought they’d get a flavour of cinnamon, which I absolutely don’t get, and also “far too slick mouthfeel”. Maybe from the diacetyl? Nevermind.

Finally, my American Pale Ale. This was really more of an afterthought, I put together the recipe on a relatively short notice, and also used that as an opportunity to use up hop scraps from previous brews. One theme that shows through most of the five judgings was that (1) the beer was too bitter, and a harsh bitterness, even, and (2) chlorophenolic notes. This was later explained to me by one of judges as most likely coming from the Berlin water being treated with chloramine and a fermentation that was slightly too hot. It’s definitely worth noting, and makes me think that I should probably do a better temperature control even with top-fermented beers. It’s also kind of sad that the Berlin water has to be treated like that, but we need to work with what we’re given. I definitely won’t start buying distilled water and then create water profiles by adding different salts.

All in all, it was a fun event, I enjoyed developing recipes for it and then brewing them, and we got some very valuable feedback. I’ll post the recipe of my English Brown Ale soon, and explain more about it.