A Very Biased Guide To Berlin Beer and Pubs, October 2023 Edition

Jess & Ray (Boak & Bailey) recently visited Berlin (and met my wife and I). They had previously approached me by email for some tips on beer and pubs in Berlin which I happily answered, and in their most recent blog post, hoped that I would turn these tips into a full-blown blog post. That’s what I’ve done here.

Please note that this is not by any means a complete guide to beer and pubs in Berlin. Even when just focusing on a very specific niche like craft beer bars or German-style brew pubs, there are so many options to review all over a very large city (it would take about 90 minutes on bus, regional train and tram to get from Brauhaus Spandau in the very west of the city to Schlossplatzbrauerei Köpenick in the south-east of the city, for example, just to give you a rough impression of the size of the city) that makes it hard to ever get a complete, up-to-date picture over everything that’s going on. So I’ll just stick to the themes Jess & Ray asked about and the answers that my wife Louise and I have given them.

Eckkneipen / Kiezkneipen

Eckkneipen are the classic corner pubs of Berlin. Kiezkneipen are essentially the same thing, local pubs for local people (non-locals most often also welcome), just not on a street corner.

Zum Stammtisch. This is one of our locals in Moabit, run by the same couple for well over 50 years. In the last few months, we found it to be not always open at the expected hours, which is probably down to the old age of the publicans, but our perception is that they’re in the process of handing it over or at least running it together with some of their children. One of the last places to still serve Engelhardt Pilsner, an old West Berlin beer brand, nowadays brewed at Berliner-Kindl-Schultheiss.

A 0.4 liter glass of Engelhardt Pilsner with a doily.

Brüsseler Eck. A local Eckkneipe in Wedding that has recently been taken over, and the new owners have found a balance between catering to their regulars and attracting a younger crowd. This means live music and a mix of classic Berlin beer (Schultheiss) and stuff for the younger crowd (Bavarian Helles, locally brewed Pale Ale from Eschenbräu) while keeping the classic decor. Louise says their beer glasses were not properly washed on our last visits, let’s hope that has improved.

Eschenbräu Panke Gold served at Brüsseler Eck.

Berliner Bürgerstuben. Louise used to live on the same street, but we never went there. It took moving away to convince me to go to it and we now really like it. Very good beer selection (Schultheiss, Berliner Pilsner, Tegernseer Hell, Meckatzer Hell), it’s reasonably priced, and also has a small offering of traditional Berlin food.

Krüger Eck. A classic Eckkneipe in Friedrichshain with a changing tap list. One of their regular beers is the Pilsner from Hops&Barley, but everything else can be in flux. You’ll occasionally see Franconian beers on tap, for example I’ve had Nikl-Bräu Zwickl one time and Schlenkerla Märzen another time. It can get very busy at the times, but they don’t do reservations unless you’ve been a regular for years.

Breweries and Taprooms

Vagabund. They started off with their tiny 2hl brewery on Antwerpener Str., but have since opened a larger brewery with a second taproom. Their beers are generally solid, and they were one of the early ones of the Berlin craft beer scene (full disclosure: I helped crowd-found their first brewery back in 2013).

Eschenbräu. A German-style brew pub with seasonal beers. Some people really like the beer (like me), others hate it (like Louise), and the waiter can sometimes be very weird, but it’s certainly an experience. You can bring your own food (they will even provide you with plates and cutlery), but there are also simple snack options like Obazda (pre-packaged), freshly baked pretzels (from frozen) and tarte flambée, all reasonably priced.

Schneeeule Salon. Schneeeule’s taproom, probably the best known craft brewery specializing solely on Berliner Weisse. Ulrike Genz, the brewery owner/brewmaster, is behind the bar on most days. A great place to drink their Berliner Weisse and try specialties and collabs that are otherwise hard or impossible to get. Besides sour beers, they will usually have some Franconian lager on tap, as well as some more bottles of otherwise hard-to-get Franconian beers.

Hops & Barley. Long-time brew pub, attracts a football crowd especially during weekends. The beer hasn’t been brewed on site for quite a few years, but that only helped with the overall quality and consistency. Besides the core range of Pilsner, Dunkel, Hefeweizen and Cider, also typically has a seasonal specialty beer on tap. In the past, that was sometimes a bit hit-and-miss (I have vivid memories of too much caramel malt that made some of the beers rather cloying; but then again, I’ve overheard other beer nerds sat at the bar rant about another Berlin craft breweries using even more caramel malt and accusing their head brewer of having a “caramel malt fetish”).

Bavarian-Style Beer Halls

Bavarian Beer Halls have a long tradition in Berlin. While some of them may seem like pure tourist traps, they are usually places for reliable food and drink for a reasonable price.

Augustiner am Gendarmenmarkt. May seem like a tourist trap from the outside, but Augustiner Edelstoff is served from wooden cask every day from 6pm, and plenty of Berliners actually go there. The atmosphere is great (it feels like you could actually be in an Augustiner beer hall in Munich), the prices are overall reasonable, it’s pretty much always busy, so better book in advance to be sure.

A wooden cask of Augustiner Edelstoff waiting to be tapped.

Hofbräu Wirtshaus. Now this is a properly mass tourism beer hall (Rick Stein featured it in one of his City Break episodes, if you want to see how they operate). The Hofbräuhaus beer is still really good, and the one time I was there with work colleagues, the food was solid. Beery friends of mine loved the Sunday brunch to visit with the whole family.

Maximilians. This was not actually on the list I had sent to Jess & Ray, but we went there with them after it was impossible to get any seats at Augustiner on a Saturday night. Serves Hacker Pschorr beers, including Edelhell from wooden casks. Extremely busy when we were there, and not quite the traditional beer hall feel, but overall still made a very good impression.

Other Pubs & Bars

Foersters Feine Biere. One of our absolute favourites with a great selection of German beers (lots of Bavarian/Franconian, occasionally also Altbier) and quality Brotzeit. Not cheap, but worth the money. It’s also where we meet for our (nowadays very irregular) Stammtisch. Co-owner Sven is one of the most knowledgeable people about German beer I know and will always recommend a beer to you that you’ll like and you’ve never even heard of before, even if you thought you knew it all already. The bar also features parts of Sven’s massive Steinkrug collection. If you’re in Berlin on NYE, Foerster’s special event that day is a Frühschoppen where Schönramer Festbier is served from 11am until 4pm.

Update Oct 31, 2023: Sven Förster announced just yesterday that Foersters Feine Biere will unfortunately close around end of 2023.

Foersters Feine Biere in Steglitz from the outside.

Victoria Stadler. A very Friedrichshain kind of bar, serving Schönramer beer on tap and from bottles because the owner is from there and very proud of the beer. In the winter, has a wood-fired oven in the one of the rooms which makes it extra cozy.

Prager Frühling. A Prague-Spring-themed bar in Pankow. Czech beer on tap (several Svijany beers, Pilsner Urquell, changing tap of local Czech breweries you’ve usually not heard of before), classic Czech bar snacks (marinated Hermelin cheese and the likes). Incredibly cheap, one of the grumpiest barmen you’ll ever meet, Czech radio playing in the background, feels like a pub in Prague, or with all Czech(oslovakian) and Prague-Spring-related paraphernalia all over the place, a Czech pub on steroids.

Svijany dark lager and pale lager in Tübinger glasses, served at Prager Frühling.

Final Notes

As mentioned earlier, this list is by no means complete. It’s based on what Jess & Ray asked us for, reflecting our personal preferences as of October 2023. These might change in the future. Berlin is huge, there are always new places to discover (e.g. Louise recently visited and really enjoyed Dicke Wirtin, but I haven’t been yet thus can’t give my opinion on it), old places shutting down and new ones opening up.

For another list of recommendations, see also the Berlin Beer & Pub Guide that was compiled and curated by the late Fred Waltman.

Bavarian Beer Halls in 19th Century Berlin

Just yesterday I was on a bit of a beer tour in Berlin together with my wife, Jess & Ray and Ben Palmer. After having been rejected at the door of the beer hall of a well-known Munich brewery, and then having had dinner in the beer hall of another well-known Munich brewery, I mentioned in passing that beer halls in Berlin serving Munich beer wasn’t even a new concept, but had already been popular during the second half of the 19th century.

An 1891 tourist guide to Berlin lists a number of “beer palaces”, many of which were owned by or at least serving beer from Bavarian breweries, among them:

  • Franziskaner-Leistbräu, on Leipziger Straße 128
  • Hackerbräu, on Belle-Alliance-Platz 15 (nowadays Mehringplatz on the south end of Friedrichstraße)
  • Löwenbräu on Charlottenstraße 50, on the corner of Französische Straße
  • Münchener Bürgerbräu on Friedrichstraße 59
  • Münchener Hofbräu on Französische Straße 21
  • Münchener Kindl on Potsdamer Straße 123a
  • Pschorrbräu on Friedrichstraße 164/165
  • Spatenbräu on Friedrichstraße 172, as well Spittelmarkt 14
  • Frankenbräu on Königstraße 33 (nowadays Reinhardtstraße); I suspect this to be Erste Bamberger Exportbrauerei Frankenbräu AG, later known as Bamberger Hofbräu AG.

Similarly, the 1898 Baedeker guide to Berlin lists several more:

  • Weihenstephaner on Friedrichstraße 176
  • Brauerei Tucher on Friedrichstraße 180
  • Kulmbacher (“Mönchshof”) on Charlottenstraße 65a
  • Augustiner on Potsdamer Straße 123

Some contemporary publications commented on this as a “Bier-Kulturkampf” (beer culture war) between the classic Berlin beer culture of top-fermented white and brown beer and the newfangled Bavarian beers that made an impact on Berlin architecture. The most prominent beer palace in that regard was probably Spatenbräu on Friedrichstraße 172.

Spatenbräu on Friedrichstraße 172, 1907 (source)
Bottom section of the Spatenbräu building on Friedrichstr. 172, 1886 (source)

The sheer number of beer halls and restaurants made the area around Unter den Linden/Friedrichstraße/Leipziger Straße the “entertainment quarter” of old Berlin. They even got nicknames: “Unter den Linden” was “Laufstraße” (walking street), Leipziger Straße was “Kaufstraße” (shopping street), while Friedrichstraße was “Saufstraße” (boozing street).

Mapping Historic Breweries in Bamberg

One of my favourite books about historic brewing in Bamberg is Das Bamberger Bier from 1818. It comes with an appendix that lists all the breweries at the time, including the name, their owner, the district, and the house number. Ron Pattinson published a digitalized version of that list.

Recently, as part of final research for my next book, I stumbled upon a historic map of Bamberg that also happened to include house numbers. Unlike modern numbering, houses back then weren’t just numbered by street, but had a unique number within the city, which makes it harder to associate historic addresses with modern ones. I did remember that the above-mentioned book contained house numbers, I looked up a few, and lo and behold, they actually matched.

My initial plan was to just send Ron an email with a few corrections, but very quickly I realized that I should turn these into a proper map, not just for myself, but for everyone to look at. And that’s what I did:

map data (c) OpenStreetMap contributors under ODbL

I created this map using uMap, an OpenStreetMap-based tool to create your own custom maps. Here’s a link to my map Historic Breweries of Bamberg.

When I created this, certain patterns became apparent very quickly. The 65 breweries were not just spread out over the city, but they formed clusters.

If you’ve ever been to Bamberg, you may remember how the breweries Spezial and Fässla are opposite of each other. This is not a happy accident, but rather a remnant of basically one big street full of breweries. Only these two breweries remain nowadays, back 200 years ago, the road that was then called Steinweg and is nowadays Untere and Obere Königstraße was home to a whopping 21 (!!) breweries, spanning over just ~400 metres. Bear in mind that the whole city had 65 breweries, so basically a third of them were on the same street, within a few hundred metres of each other.

map data (c) OpenStreetMap contributors under ODbL

I have no clue what it was that attracted this many breweries to just a single road. Maybe the quality of the well water, the vicinity to the Regnitz river, or the social acceptance of smelly breweries on that one street? I don’t know, all I can do is wildly speculate. It nevertheless was something fascinating to see, information that you wouldn’t just get from a list of breweries and their respective house numbers.

It certainly makes me wonder how it would have been to wander around there 200 years ago…

Other notable clusters of breweries in Bamberg that I won’t discuss in detail are:

  • Judengasse (modern Judenstraße), with 6 breweries within ~60 metres,
  • Lange Gasse (modern Lange Straße), with 8 breweries on a street, all within about 100 metres,
  • The east-south-eastern side of Maximiliansplatz and a bit of Hauptwachstraße, with 4 breweries,
  • A total of 5 breweries on Obere Sandgasse to Dominikanergasse, basically from Zum Einhorn im Sand (modern-day/revived Ahörnla) to Zum Heller (the modern-day Schlenkerla pub).

I hope this map will also be useful to others. It is by no means a complete map of all (historic) breweries in Bamberg, but it should accurately reflect the state of the year 1818.

Here’s what I used to research this:

One caveat, though: the house number for “Zum Stern” in the source is 126. Modern Sternla is on the same street, but further down. The name would suggest that this is the same entity, but I have not been able to verify that, hence why I put the marker for “Zum Stern” on house 126 and not house 144 (modern-day Lange Straße 46).

A Turn-of-the-Twentieth-Century California Steam Beer

Somebody recently asked on Reddit about whether historic recipes of California Common from the late 19th or early 20th century exist, like something that Jack London would have drank when he lived in San Francisco, so here is an extended version of my initial reply on Reddit.

Historically, California Common has been more commonly known as Californian Steam Beer, but since “Steam Beer” is nowadays a brand of Anchor Brewery in San Francisco, the term “California Common” has found its way into the beer style guidelines.

A large majority of homebrew recipes for that style that float around nowadays are straight up clone recipes of Anchor Steam Beer, or at the very least heavily inspired by it as many style guidelines have based the style essentially upon Anchor’s beer.

But in reality, this beer goes back much further and has been more varied. This is very well documented in a brewing book from 1901, the American Handy Book of Brewing, Malting and Auxiliary Trades, edited and published by Robert Wahl and Max Henius, two Chicago-based brewing scientists.

In this book, California Steam Beer is described as a beer that at the time was consumed throughout the state of California. The name, according to that source, goes back to the high effervescence of the beer and the high pressure (“steam”) in the serving cask, ranging between 40 to 70 psi.

It has an original gravity of 11 to 12.5 Balling (Plato), which is equivalent to a specific gravity of 1.044 to 1.050. The ingredients used varied: some brewers made this beer from 100% malt, others from a combination of malt and grits or really any other raw cereal, as well as sugar like glucose syrup. The malt used is described as “malted as for lager beers”. The colour of the beer was apparently similar as Munich beer (dark lager), and was achieved through the use of roasted malt or sugar colouring.

The approach of mashing also greatly varied: some brewers simply used an English-style single infusion mash, while others have turned towards a multi-step infusion mash with rests at 60-62 °C, 65 to 66°C and finally 70 °C where the mash is held until all sugars have been converted. If raw cereals were used in the mash, they were cooked first and added in some way as if lager beer was being brewed (which I interpret as a cereal mash). Lautering and sparging commenced after a final 45 minute rest, with the sparge water at 75 °C.

The collected wort is then boiled for 1 to 2 hours, hops are added (presumably at the beginning). The amount depends on the quality of the hops, so with high-quality hops, 3/4 of a pound per barrel of finished beer were described as sufficient. Then the wort was cooled to about 15°C to 16°C. In the fermenters, a “special type of bottom-fermenting yeast” is pitched. After about 14 hours, a thick head should have formed. The fermenting beer in this state was added to other beer that was just racked into casks (more on this later).

The fermenting beer is then transferred to shallow “clarifiers” where it finishes fermentation. When the beer was finished fermenting and is clear, it is racked into trade packages, where a substantial amount of Kräusen are added, typically 33 to 40% of the overall volume. The casks are then closed with special iron screw bungs, and left for a few days so they can build up the necessary pressure. In the saloon, the cask was then left to settle for 2 days, and the bung was opened over night so that some of the CO2 could escape. This was called “steaming” and was only necessary when the beer was poured directly from the cask so that it wouldn’t foam too much.

The beer itself was very clear and refreshing. It could keep 2 to 6 months in (unopened) casks, but was typically consumed with 3 weeks to a month.

Based on this description, we can develop our own recipe, but there is actually a lot of variation possible. The grist could be something as simple as Pilsner malt and either a small amount of roasted malt or an addition of caramel colouring to get the beer to Munich dark lager colours (about 33 to 56 EBC), or something more complex like Pilsner malt, corn grits, and glucose syrup, again with caramel colouring for to set the right colour.

As for the mashing, a malt-only grist could do with a single infusion mash, while using corn grits would warrant a more complex cereal mash where most of the malt is mashed in and undergoing a step mash. The corn grits are then mashed in with a small amount of malt, with a single rest, then boiled and finally mixed into the main mash for the final increase of mash temperature.

As for the hops, California-grown Cluster hops would probably be the most appropriate, or any Cluster hops really if California-grown ones aren’t available to you. 3/4 pounds per barrel translates to a hopping rate of 2.9 grams per liter, bittering addition only.

The “special type of bottom-fermenting yeast” is California Common yeast, a bottom-fermenting yeast that has adapted to warmer fermentation temperatures. Such strains are readily available to home brewers by a multitude of yeast manufacturers, e.g. Wyeast 2112, White Labs WLP810, Imperial Yeast L05, Mangrove Jack’s M54, etc.

When fermentation is finished, the final beer should be highly carbonated (be careful about the maximum pressure your kegs or bottles can withstand!).

This is what I came up with to brew 22 liters of it, but you do you:

Specs:

  • OG: 11.7 °P
  • Bitterness: 50 IBU
  • Colour: 41 EBC
  • ABV: 5.0%

Ingredients:

  • 3.4 kg Pilsner malt
  • 0.9 kg corn grits
  • 0.25 kg glucose
  • 63g Cluster hops (7% alpha acid)
  • Wyeast 2112 California Lager yeast

Please note that this recipe does not conform to the BJCP Style Guidelines for the California Common beer style, so don’t use this to brew beer and get bad marks for it at home-brewing competitions.

(featured image: Picardin, CC BY 4.0, via Wikimedia Commons)

How the Hofbräuhäuser of Bavaria were established

Even if you’ve only ever dabbled a little bit in Bavarian beer, you will have stumbled upon the Hofbräuhaus in Munich, owned by the State of Bavaria, and with a beer hall in the heart of the city. But then you look further, and realise that there’s also a Hofbräuhaus Traunstein 75 minutes outside of Munich, and then there’s of course Weißes Bräuhaus. But how were these “court brew houses” established?

It all actually started with a bit of a brewing crisis. Starting from 3 September 1571, brewing in Munich was totally banned. That year’s rye harvest was rather poor, and barley was needed as a substitute to feed the population. Brewing white or brown beer was seen as a waste, and thus completely stopped through a Ducal order.

This brewing ban remained in place until 1580 when it was partially lifted. Of course, the Duke and his court still needed beer. So for the Duke, beer from Zschopau in Saxony was ordered, and the Nuremberg-based trading house Unterholzer facilitated the delivery of Ainpöckischpier from Einbeck from 1573 until 1589.

The court servants though got different beer: grain from the Duke’s storehouse was given to breweries, in particular the religious orders of the Franciscans and the Augustinians, and the brewer Georg Mänhart who held the title of “court brewer”. With that grain, these breweries were ordered to brew beer of the best quality to be delivered to the court.

Soon after Duke Wilhelm V. took office in 1579, he inquired about which breweries in the Bavarian Forest were brewing “white Bohemian beer” and where they got their brewing ingredients from. A commission of 4 people produced a report in 1581 that listed all the white beer breweries in the designated area as well as those that belonged to the Prince-Bishopric of Passau. In 1586, the Duke gave a brewing privilege to the Schwarzenberg family and their male descendants that allowed them to brew white wheat beer, a privilege that otherwise only the Degenberg family held. At the same time, he also inquired about the general profitability of white beer. An earlier report handed to him noted that brewing white beer was considered to be a waste, but could be turned into a profitable business.

In the end, Duke Wilhelm V. remained cautious and only founded one brewery in 1589, the Hofbräuhaus in Munich for brewing brown beer, but building works for it only started in 1591. When the new brew house started operating, the previous court brewer Mänhart lost much of his business and fell into poverty, but was compensated for it with an annual payment of 100 florin a year.

When the Degenberg family went extinct in 1602 through the death of Hans VIII. Sigmund of Degenberg, Duke Maximilian I. set a plan in motion to gain control over white beer brewing in Bavaria. He was much more ambitious and had already looked into white beer brewing before taking office in 1597, as Bavaria was close to bankruptcy and he saw white beer as a profitable way of making the Bavarian Duchy rich again.

Before even the Degenberg inheritance was settled, he immediately continued paying the brewers at the Degenberg brew houses to keep up brewing operation, even though he legally did not own them. Only in 1607, he came to an agreement with the heirs of the Degenberg family, in which he was allowed to purchase the Degenberg breweries for 82,000 florin while cancelling a debt of 20,000 florin of the heirs. Maximilian I. now owned 3 white brew houses, in Zwiesel, Schwarzach and Linden.

Already in 1602, brewers from the Schwarzach brewery were ordered to Munich to teach the Hofbräuhaus staff how to brew white beer and to brew the first batches. The first court-brewed white beer was then sold in Munich on 16 October 1602, directly from the Ducal cellar. A separate white brew house was finally built in 1607 and a dedicated brewmaster for white beer was hired.

A newly built brew house in Gossersdorf that opened in 1600 and interestingly had not been banned by the court (they only banned the brewer from using domestically grown wheat) was sold to Maximilian I. in 1602.

At that time, the court in Munich had already forgotten about the Schwarzenberg brewing privileges granted in 1586, but when their family was able to provide them with original documents, Maximilian I. offered to buy their brew house in Winzer which was finalized on 29 April 1603.

Now owning all the white brew houses of the Degenberg and the Schwarzenberg families, he was the exclusive brewer of white beer in Bavaria. Well, almost, because there were nine communal brew houses in Lower Bavaria (the remnants of the communal brew house system in parts of Bavaria are nowadays better known as Zoigl) that historically also had a customary right to brewing white beer. The Duke also managed to subjugate them and forced them to share their revenue through a duty they had to pay. These nine brew houses were located in Viechtach, Regen, Kötzting, Furth im Wald, Neukirchen bei Hl. Blut, Eschlkam, Schönberg, Grafenau and Hals.

On top of that, more white beer breweries were established: in Mattighofen, the brown brew house was converted to producing white beer in 1607. In the summer of the same year, building works started in Kelheim for a new brewery which started brewing white beer in April 1608, while in Traunstein, an existing building was bought and turned into a brewery in 1611.

By 1612, Duke Maximilian had established a formidable network of state-owned breweries: not only was there the Hofbräuhaus in Munich that produced brown beer, but he also directly owned nine white brew houses and received a passive income from nine more communal white brew houses. Technically speaking, these were all court brew houses, and a dense network of them stretched over Old Bavaria that only got extended with more breweries over the years.

Some of them are still around: the white beer brewery in Traunstein was destroyed in 1704, rebuilt and eventually sold in 1820. Since 1896, it has been owned by the Sailer family and run as Hofbräuhaus Traunstein.

The “white brew house” in Munich kept operating next to the Hofbräuhaus and was leased to brewers. The last one was Georg Schneider. When the buildings of the white brew house were to be repurposed in the 1870s, he simply bought the rights for it from the court and moved to another building, the former Maderbräu building on Im Tal, just a few hundred metres away from the old brewery, which made it easy for his existing customers to visit the new place. The old Maderbräu building was renamed Weißes Bräuhaus (white brew house) and became the headquarters for the Schneider family brewer. In 1928, the Schneider family bought the white brewhouse in Kelheim, another formerly state-owned brewhouse which became their main brewery after World War II, and which they now claim to be the oldest white brew house in Bavaria.

What remains though is that the Hofbräuhaus is still around, even though ownership has changed, as the Bavarian King transferred it to the Bavarian State in 1852. The white beer privilege has long been broken, but even of these formerly privileged white brew houses, some are still in operation, the one in Kelheim even still dedicated to the production of white wheat beer.

The Story of East-German “Motorist’s Beer”

Alcohol-free beers are a hot topic these days, both because of consumer demand and improvements in quality of this beer achieved through research.

When recently talking about the subject with my friend Ben, I brought up Aubi, the East-German “Autofahrerbier” (lit. “motorist’s beer”). When looking into the topic of Aubi more closely, I found out more about its history that I’d like to share here.

First the plain facts: in the GDR, beer brewing was guided by TGL 7764, an industry standard that defined which beer types could be brewed, how they could be brewed, which ingredients could be used for them, and under which parameters each of these types had to fall. In short, it was an early form of a beer style guideline, but specifically for the East-German brewing industry.

In the 1980 revision of TGL 7764, Aubi was listed as the only alcohol-free type of beer. In its production, at most 11 kg of brewing malt per hectolitre of sellable beer could be used, and at most 9 g of hop bittering compounds (i.e. alpha acid) per hectolitre. At most 70% of hop bittering compounds could be from hop extracts. It had to be matured for at least 3 days, with a recommended time of 6 days. Its original gravity was between 6.9 and 7.4 °P, its apparent attenuation 30 to 40%, its CO2 content at least 0.38% (i.e. 3.8g/l), and its bitterness 22 to 34 IBU. In terms of colour, it had to be about as pale as pale lager beer (I can’t translate the GDR colour scales to modern ones like SRM or EBC). In bottles, it had to last at least 90 days, the longest best-before dating of all beer types (together with the Pilsner Spezial type). And unlike most other GDR beer types, it had no specific beer label colour prescribed.

The development of the beer itself was a relatively surprising one: at the time, brewmaster Ulrich Wappler at VEB Engelhardt brewery in Berlin had an unexpected surplus capacity, as the Schultheiss brewery on Schönhauser Allee in Berlin was shut down and Wappler’s technicians managed to transfer tanks to his own brewery. In East Germany, the blood alcohol limit was at 0.0 since 1956, much stricter than other Western countries at the time. Truck drivers coming in from West Germany would bring their own, specifically Birell, a Swiss brand developed and brewed at Hürlimann, and at the time (as far as I could find out) the only alcohol-free beer on the German market (Clausthaler, the later dominant alcohol-free beer brand in West Germany, only launched in 1979). Birell was even specifically advertised near the border on the West-German side with the fact of the strict alcohol ban for drivers in East Germany.

The brewmasters in East Berlin were approached whether they would be able to develop a GDR-brewed alcohol-free beer. With the free capacity, Wappler would have been able to do it and agreed to it. His problem was rather finding a way how to brew an alcohol-free beer. In the GDR, he unfortunately had no access to Western brewing literature, nor any of the Western patents, and he wasn’t allowed to get in touch with West-German brewers either as he wasn’t a party member and his brothers had left the GDR for the West. He eventually managed to get access to Western patents through a source, and studied them for 6 months. Of the two methods of producing alcohol-free beer (biological, i.e. restricted fermentation, and mechanical, i.e. physical dealcoholisation), they decided that they could build the equipment to brew using restricted fermentation.

This was still not without problems: they did not have any special yeast, so a special apparatus to quickly chill down the beer that had only just started fermenting had to be built. Then higher-ups had heard about the efforts and the supposed progress, and basically forced them to send out unfinished beer that had not fully matured, which was actually well-received.

An area where this new beer was particularly successful were the heavy industries, in particular glass blowers and steel mills. In these jobs, workers were of the opinion that they needed to drink beer to help with salivating. They refused to just drink water, while at the same time, the union had strictly banned alcohol. So they tested the alcohol-free beer (at less than 0.5% ABV) in some of these factories, and the workers liked it. Also price-wise, at 75 Pfennig per bottle it was cheaper to buy than imported Birell, and also cheaper than other domestic beers. So their alcohol-free beer filled a gap, even more so in the heavy industries than for motorists. It took some tweaking of the recipe, including hop oils, to make it a really good beer, and in the end, the product also piqued the interest of other countries of the Eastern Bloc like Bulgaria and Czechoslovakia, who also tried to brew similar beer but all had over 1% ABV and none of them tasted nice.

The cheap domestic price of just 75 Pfennig also became a problem in terms of economics: while it required fewer ingredients, brewing Aubi was much more energy-intense, because mashing involved a special mashing schedule (more on that later) and restricted fermentation required more energy on top of that for chilling down the beer. Because of this, production volumes were lowered.

The beer itself was brewing like this: the grist contained 20 to 50% (sic!) unmalted adjuncts and was mashed using a special type of decoction mashing that specifically skipped the optimal temperatures of beta amylase and rather inactivated them to then have alpha amylase saccharify the starches, resulting in a much less fermentable wort. After only briefly starting fermentation, the wort was chilled down quickly to restrict fermentation.

Internationally, the East German alcohol-free beer was also a success, and was exported from 1986 to the United States under the brand name “Foxy light”. If we can believe a tasting and ranking of alcohol-free beers in the Chicago Tribune from 1988, Foxy light couldn’t exactly compete in terms of flavour with other European imported alcohol-free beers at the time, but fared well compared to domestic alcohol-free beers, while also being one of the cheapest ones. In England, the same beer was sold under the brand “Berolina”.

With the end of the GDR, production of Aubi also ceased. Most East-German breweries were shut down as they were completely outdated compared to their West German counterparts. Brewmaster Wappler managed to get work in West Berlin breweries for his workers. Until his retirement, he helped conceptualising brew systems for other breweries and training people on them.

Sources:

The best beer I ever brewed?

OK, this is probably the clickbaitiest title of a blog post that I’ve ever come up with, but bear with me.

For the June/July 2022 issue of Craft Beer & Brewing magazine, Evan Rail wrote an article about Czech Dark Lager, aka tmavé pivo. I’ve always quite enjoyed this particular style, especially whenever we were visiting Prague, as it is (in my opinion) a very balanced beer type that combines the complexity of flavours of dark kilned and roasted malts with a great drinkability, the kind of balance that other dark beer styles don’t quite achieve. But it is not always hard to find.

Inspired by this article, I noted all the tips and tricks on formulating a recipe and brewing the beer, then developed a preliminary recipe, and got together with my friend and neighbour Ben to actually brew this.

What we brewed in the end had the following grist:

  • 2.5 kg Bohemian Pilsner malt (49.0%)
  • 1.9 kg Munich II malt (37.2%)
  • 0.6 kg CaraBohemian (11.8%)
  • 0.1 kg Carafa Special II (2.0%)

One important technique that was emphasized in Evan’s article was to add the roasted malt (Carafa Special II) only in the lauter/sparge stage. If this hadn’t been mentioned, I would have simply added it to the main mash, intensely boiled it in the first decoction, and probably ended up with a beer with too much roasty bitterness.

In Czech tradition, we chose a double decoction as our mashing regime. We mashed in relatively cold, then pulled a very large decoction which we step-mashed with a rest at 73°C, and then boiled it for 15 minutes until we mixed it back to get to our conversion temperature of 66°C. After a while, we pulled a thin decoction, boiled it for 6 minutes, then mixed it back to get to 73°C. After 15 minutes, we then heated the mash up to 78°C for mash out.

After transferring to the lauter tun, we added the roasted malt to the top of the mash, and started collecting the wort. The impact of the roasted wort is subtle at the start, but will develop over time until we ended up with a dark but still slightly translucent wort.

As for the hops, we went for something really simple: just Czech Sladek hops (8% alpha acid), with two additions at 60 min (1 g/l to contribute about 17 IBU) and 20 min (1.7 g/l to contribute about 17 IBU) before the end of the boil, for a total of 34 IBU. That was another tip from the article, namely that the beer style can do with more bitterness that you’d think.

(As a side note, I find the name Sladek for that hop variety just great; Sladek was developed as a cross of Czech Saaz hops and Northern Brewer hops; Sladek means brewer in Czech, so crossing Northern Brewer with the classic Czech hop variety made it a Czech Brewer – a Sladek; this is my personal theory of why this name was chosen)

After 60 minutes of boiling, we chilled down the wort which had a OG of 13.6°P, even better than the 13.3°P I had planned the recipe for. When the wort had reached a temperature of 10°C, we finally pitched a healthy dose of bottom-fermenting yeast. That was actually a point where we deviated from the tips in the article. Ben had gotten his hands on fresh pitching yeast from a large industrial lager brewery here in Berlin, so of course we just had to use this very fresh, vital yeast instead of using a genuinely Czech strain (which was actually a bit hard to find at the time).

Fermentation went a bit slow, but after 4 weeks, we finally reached our FG of 3.8°P. This may seem high, but a point of the mash schedule was to produce a larger quantity of unfermentable sugars which would keep the FG high and the beer’s body full. After an excruciating 6 weeks of lagering at low temperatures, we finally bottled the beer last weekend, adding just half a liter of wort we had held back as a source of sugar for bottle conditioning. During lagering, the beer had already attained quite a bit of carbonation where CO2 simply naturally went into solution due to the lower temperatures, so not much Speise was necessary.

The final beer probably has about 5.3% ABV, at least that’s what our calculations said. And now look at this beauty:

The beer is dark, but not black. The foam is dense and off-white. And the taste? Just sublime. Better than any of the samples I had taken from the fermenter or even during bottling. If I had been served this in a pub in Czechia, I would have been very happy. There is some roasted bitterness, but it melds nicely with the hop bitterness. There’s a lot of chocolate and coffee going on in there, the body is full but not too full, making you want to drink another one at the end of it (I restrained myself and only had one, as I want to keep more of the beer for Christmas). There are notes of dark malts and caramel malt, but no cloying sweetness whatsoever.

Ben and I then went through the BJCP style guideline’s description of Czech Dark Lager, and the beer seemed to tick all the boxes. The bitterness is certainly on the high side, but I think it only makes it more interesting and adds some complexity.

All in all, we’re both very happy with the result. For me, it is probably the best beer I’ve brewed myself. I’m rather self-critical, and I could not find a single flaw. And I think what got me there were the quality ingredients, sticking to all the traditional methods that I had learned about, and most importantly, not cutting any corners in the brewing process.

The PGI Beer Style Guidelines

In 1992, the EU introduced the Protected Designation of Origin (PDO) framework to preserve the designations of origin of food- and drink-related products. In particular, three different systems exist: PDO, Protected Geographic Indication (PGI), and Traditional Specialities Guaranteed (TSG). Each of these are easily recognizable through their logos which you may have seen on food packaging.

And of course, a number of these are registered for specific beers. Out of curiosity, I looked into some of these and realized that some of them are rather specific. So I wondered… how many types of beer are registered as any of these geographic indications in a specific enough way to turn them into beer style guidelines akin to the BJCP or the Brewers Association’s Beer Style Guidelines. Turns out: quite a few. So here are my PGI Beer Style Guidelines (see at the end for a brief discussion):

Munich Beer

(source)

Helles

OG °P: 11.4 – 11.9
% ABV: 4.7 – 5.4
EBC: 5.0 – 8.5
IBU: 14.0 – 25.0

Light yellow, pale, palateful, pure, smooth, mildly to pleasantly hopped, delicately spicy to spicily fresh with a pleasant bitterness depending on the brewing process.

Export Hell

OG °P: 12.5 – 12.8
% ABV: 5.5 – 6.0
EBC: 5.5 – 7.5
IBU: 15.0 – 26.0

Light yellow, highly attenuated (until bright), palateful, ranging from mild, mellow-smooth through to strongly spicy, delicately hopped and delicate bitterness.

Export Dunkel

OG °P: 12.5 – 13.7
% ABV: 5.0 – 5.9
EBC: 42.0 – 59.9
IBU: 15.0 – 24.0

Mellow, smooth, malty aroma to strong, Munich malt sometimes dominant.

Pils

OG °P: 11.5 – 12.5
% ABV: 4.9 – 5.8
EBC: 5.5 – 7.0
IBU: 30 – 38

Slightly sharp, delicate, fine, hoppy bitterness, hoppy accents through to hoppy aroma, light, elegant, sparkling.

Leichtes Weißbier

OG °P: 7.7 – 8.4
% ABV: 2.8 – 3.2
EBC: 11.0 – 13.0
IBU: 13.0 – 15.0

Refreshing, effervescent, tangy, cloudy with yeast, typical top-fermented Weißbier taste.

Kristall Weizen

OG °P: 11.5 – 12.4
% ABV: 4.9 – 5.5
EBC: 7.5 – 12.5
IBU: 12.0 – 16.0

Effervescent, very tangy, filtered bright, clear, sparkling, top-fermented note, typically top-fermented.

Hefeweizen Hell

OG °P: 11.4 – 12.6
% ABV: 4.5 – 5.5
EBC: 11.0 – 20.0
IBU: 12.0 – 20.0

Highly attenuated, naturally cloudy, typical top-fermented character, tangy, refreshing, effervescent, sparkling, sometimes yeasty, Weißbier aroma.

Hefeweizen Dunkel

OG °P: 11.6 – 12.4
% ABV: 4.5 – 5.3
EBC: 29.0 – 45.0
IBU: 13.0 – 16.0

Naturally cloudy, mellow, malty taste/character, top-fermented note/character.

Märzen

OG °P: 13.2 – 14.0
% ABV: 5.3 – 6.2
EBC: 8.0 – 32.5
IBU: 21.0 – 25.0

Very mellow, palatable, mild, altbayerisch aroma to malty aroma, very mild bitterness.

Bockbier

OG °P: 16.2 – 17.3
% ABV: 6.2 – 8.1
EBC: 7.5 – 40.0
IBU: 18.0 – 32.5

Highly attenuated, ranging from mellow, palateful, smooth, aromatic, via delicately hopped, slightly sharp to well hopped, sometimes spicy in character.

Doppelbock

OG °P: 18.2 – 18.7
% ABV: 7.2 – 7.7
EBC: 44.0 – 75.0
IBU: 18.0 – 28.0

Strong, powerful, spicy, full-bodied, malty taste.

Leichtbier

OG °P: 7.5 – 7.7
% ABV: 2.7 – 3.2
EBC: 5.5 – 7.0
IBU: 24.0 – 26.5

Slightly sharp fine taste.

Diät Pils

OG °P: 8.5 – 9.3
% ABV: 4.3 – 4.9
EBC: 5.0 – 6.5
IBU: 26.0 – 30.0

Low in carbohydrates, slightly sharp, dry taste.

Schwarzbier

OG °P: 11.3
% ABV: 4.8
EBC: 70.0
IBU: 17.0

Slightly spicy malty aroma.

ICE-Bier

OG °P: 11.2
% ABV: 4.9
EBC: 6.5
IBU: 20.0

Harmonious, mellow, palateful.

Nähr-/Malzbier

OG °P: 12.3 – 12.7
% ABV: 0.0 – 1.2
EBC: 65.0 – 90.0
IBU: 8.0 – 15.0

Low in alcohol, very mildly attenuated, malty, spicy, very weakly hopped.

Oktoberfestbier

OG °P: 13.6 – 14.0
% ABV: 5.3 – 6.6
EBC: 6.0 – 28.0
IBU: 16.0 – 28.0

Light, golden, amber colours or dark, ranging from palateful, very mellow, smooth or malty aroma through to slightly hopped with a very mild bitterness or a powerful, slightly sweet taste.

Czech Beer

(source)

Pale Lager

OG °P: 11.00 – 12.99
% ABV: 3.8 – 6.0
EBC: 8.0 – 16.0
IBU: 20 – 45

Dark Lager

OG °P: 11.00 – 12.99
% ABV: 3.6 – 5.7
EBC: 50 – 120
IBU: 20 – 45

Pale Draught

OG °P: 8.00 – 10.99
% ABV: 2.8 – 5.0
EBC: 7.0 – 16.0
IBU: 16 – 28

Dark Draught

OG °P: 8.00 – 10.99
% ABV: 2.6 – 4.8
EBC: 50 – 120
IBU: 16 – 28

Light Beer

OG °P: 7.99% max
% ABV: 2.6 – 3.6
EBC: 6.0 – 14.0
IBU: 14 – 26

Bavarian Beer

(source)

Schankbier

OG °P: 7.0 – 9.0
% ABV: 2.5 – 3.5
EBC: 5 – 20
IBU: 10 – 30

bottom-fermented; a full-bodied, soft, fizzy beer with fewer calories and less alcohol by volume than Vollbier (full-strength beer).

Hell/Lager

OG °P: 11.0 – 12.5
% ABV: 4.5 – 5.5
EBC: 5 – 20
IBU: 10 – 25

bottom-fermented; a slightly aromatic, light, full-bodied, mild beer.

Pils

OG °P: 11.0 – 12.5
% ABV: 4.5 – 6.0
EBC: 5 – 15
IBU: 30 – 40

bottom-fermented; a distinctive, slightly sharp beer with a bitter edge lent by the hops.

Export

OG °P: 12.0 – 13.5
% ABV: 4.5 – 6.0
EBC: 5 – 65 (hell – dunkel)
IBU: 15 – 35

bottom-fermented; a full-bodied, well-rounded bitter taste.

Dunkel

OG °P: 11.0 – 14.0
% ABV: 4.5 – 6.0
EBC: 40 – 65
IBU: 15 – 35

bottom-fermented; a full-bodied beer with a malty aroma.

Schwarzbier

OG °P: 11.0 – 13.0
% ABV: 4.5 – 6.0
EBC: 65 – 150
IBU: 15 – 40

bottom-fermented; a beer with a roasted aroma, a slight malty aroma and a bitter edge lent by the hops.

Märzen/Festbier

OG °P: 13.0 – 14.5
% ABV: 5.0 – 6.5
EBC: 7 – 40
IBU: 12 – 45

bottom-fermented; a malty-flavoured beer with a slightly bitter edge lent by the hops.

Bock

OG °P: 16.0 – 18.0
% ABV: 6.0 – 8.5
EBC: 7 – 120 (hell – dunkel)
IBU: 15 – 40

bottom-fermented; a full-bodied, malty-flavoured beer with a delicate aroma of hops.

Doppelbock

OG °P: 18.0 – 21.0
% ABV: 7.0 – 9.5
EBC: 10 – 150 (hell – dunkel)
IBU: 15 – 35

bottom-fermented; a distinctly full-bodied, malty-flavoured beer with a hint of caramel.

Weizenschankbier

OG °P: 7.0 – 9.0
% ABV: 2.5 – 3.5
EBC: 7 – 30
IBU: 5 – 20

top-fermented; a fizzy beer with the aroma of yeast.

Weizenbier

OG °P: 11.0 – 13.5
% ABV: 4.5 – 5.5
EBC: 5 – 65 (hell – dunkel)
IBU: 10 – 30

top-fermented; a fruity beer with an aroma of wheat and a slightly malty flavour.

Kristallweizen

OG °P: 11.0 – 13.5
% ABV: 4.5 – 5.5
EBC: 5 – 18
IBU: 5 – 20

top-fermented; a carbonated beer with the aroma of wheat.

Rauchbier

OG °P: 11.0 – 14.5
% ABV: 4.5 – 6.0
EBC: 30 – 60
IBU: 20 – 30

bottom-fermented; a full-bodied beer with a smoky flavour.

Kellerbier/Zwickelbier

OG °P: 11.0 – 13.5
% ABV: 4.5 – 6.0
EBC: 5 – 60
IBU: 10 – 35

bottom-fermented; a beer with a slightly bitter edge lent by the hops, unfiltered, tapped from the lower part of the barrel, with a low carbon dioxide content.

Eisbier/Icebier

OG °P: 11.0 – 13.0
% ABV: 4.5 – 5.0
EBC: 5 – 20
IBU: 10 – 25

bottom-fermented; very mild and soft.

Kulmbacher Beer

(source)

Alkoholreduziert

OG °P: 7.3 – 7.9
% ABV: 2.8 – 3.2
EBC: 5.0 – 7.0
IBU: 25 – 30

A mellow, slightly sharp-tasting beer with the trademark flavour of Kulmbacher Pils.

Pils

OG °P: 11.1 – 11.8
% ABV: 4.7 – 5.2
EBC: 5.0 – 11.0
IBU: 23 – 38

A mellow, lightly hopped beer with a fresh, delicately bitter character.

Lager hell

OG °P: 11.0 – 13.0
% ABV: 4.8 – 5.2
EBC: 6.5 – 12
IBU: 18 – 26

A balanced, mellow, mild-flavoured beer.

Lager dunkel

OG °P: 11.5 – 13.0
% ABV: 4.8 – 5.2
EBC: 30 – 40
IBU: 18 – 22

A mellow, malty-aromatic beer.

Export hell

OG °P: 12.1 – 13.0
% ABV: 4.7 – 5.9
EBC: 6.5 – 15
IBU: 22 – 30

A smooth, mildly aromatic-flavoured beer.

Export dunkel

OG °P: 12.1 – 13.0
% ABV: 4.7 – 5.6
EBC: 35 – 100
IBU: 22 – 32

This beer has a distinctively smooth and lightly hopped flavour.

Festbier

OG °P: 13.0 – 13.7
% ABV: 5.4 – 5.9
EBC: 10 – 13
IBU: 23 – 25

This is a strong, aromatic, slightly sweet beer with a robust colour.

Bock dunkel

OG °P: 16.0 – 16.8
% ABV: 6.4 – 6.8
EBC: 25 – 40
IBU: 21 – 27

This is lightly hopped, medium-coloured strong beer.

Starkbier hell

OG °P: 24.0 – 30.0
% ABV: 9.0 – 11.2
EBC: 30 – 38
IBU: 15 – 26

This is a lightly hopped, mediumcoloured strong beer.

Starkbier dunkel

OG °P: 24 – 30
% ABV: 9.0 – 11.2
EBC: 60 – 100
IBU: 15 – 26

This malty aromatic, dark, robust strong beer is the strongest beer in the world: EKU (Erste Kulmbacher Actienbrauerei) 28.

Hefeweizen alkoholreduziert

OG °P: 7.3 – 8.0
% ABV: 2.8 – 3.4
EBC: 7.0 – 15.0
IBU: 13 – 17

This is a light-flavoured, typical Weizenbier (literally “wheat beer”).

Hefeweizen hell

OG °P: 12.2 – 12.9
% ABV: 5.0 – 5.6
EBC: 10.0 – 15.0
IBU: 13 – 17

This is a slightly sweet, robust typical top-fermented beer.

Hefeweizen dunkel

OG °P: 12.2 – 12.9
% ABV: 4.9 – 5.4
EBC: 60 – 80
IBU: 13 – 17

This is a malty-aromatic, dark beer with the typical characteristics of a top-fermented beer.

Lower Francian (“Mainfranken”) Beer

(source)

Leichtbier

OG °P: 7 – 9
% ABV: 2.4 – 2.9
EBC: 6 – 12
IBU: 15 – 30

Hell/Lager

OG °P: 11 – 12.5
% ABV: 4.5 – 5
EBC: 7 – 15, 40+
IBU: 12 – 30

Pils

OG °P: 11 – 13
% ABV: 4.8 – 5.2
EBC: 6 – 12
IBU: 25 – 35

Schwarzbier

OG °P: 11 – 13
% ABV: 4.8 – 5.3
EBC: 40 – 80
IBU: 25 – 35

Export

OG °P: 12 – 13.5
% ABV: 4.9 – 5.5
EBC: 6 – 15, 40 – 80
IBU: 16 – 25

Märzen/Festbier

OG °P: 13 – 14
% ABV: 5.0 – 5.7
EBC: 10 – 20
IBU: 16 – 30

Weizenbier

OG °P: 11 – 13.5
% ABV: 4.8 – 5.5
EBC: 7 – 20, 40+
IBU: 12 – 20

Weizenbock

OG °P: 16 – 18
% ABV: 5.5 – 7.2
EBC: 7 – 20, 40+
IBU: 12 – 20

Bock/Doppelbock

OG °P: 16 – 19
% ABV: 5.5 – 7.2
EBC: 10 – 20, – 80
IBU: 20 – 30

Českobudějovické (Budweiser) Beer

(source)

Pale Lager

OG °P: 11.4 – 12.3
% ABV: 4.6 – 5.3
EBC: 9 – 13
IBU: 20 – 24

Aroma: medium to strong intensity, pronounced aroma of fine aromatic Žatec hops.

Taste: bitterness of slight to medium intensity, mild to slightly harsh character, medium to full-bodied taste with a sweetish aftertaste, pronounced sharpness.

Kräusened Pale Lager

OG °P: 11.4 – 12.3
% ABV: 4.6 – 5.3
EBC: 9 – 13
IBU: 20 – 24

Aroma: medium to strong intensity, pronounced aroma of fine aromatic Žatec hops.

Taste: bitterness of slight to medium intensity, mild to slightly harsh character, full- to very full-bodied taste with a sweetish aftertaste, pronounced sharpness.

Pale draught beer

OG °P: 9.5 – 10.1
% ABV: 3.5 – 4.5
EBC: 8 – 12
IBU: 18 – 21

Aroma: medium to strong intensity, pronounced aroma of fine aromatic Žatec hops.

Taste: bitterness of slight to medium intensity, slightly harsh character, medium-bodied taste with a sweetish aftertaste, pronounced sharpness.

Special beer

OG °P: 16.0 – 17.0
% ABV: 7.4 – 8.2
EBC: 11 – 17
IBU: 24 – 28

Aroma: medium to strong intensity, pronounced aroma of fine aromatic Žatec hops.

Taste: bitterness of medium to strong intensity, mild to slightly harsh character, full- to very full-bodied taste with a sweetish aftertaste, pronounced sharpness.

Non-alcoholic beer

OG °P: 3 – 4
% ABV: 0.2 – 0.5
EBC: 5 – 7
IBU: 22 – 26

Aroma: medium intensity, pronounced aroma of fine aromatic Žatec hops, slightly reminiscent of hopped wort.

Taste: bitterness of medium intensity, slightly harsh character, light-bodied taste, pronounced sharpness, with a hint of hopped wort.

Dark lager

OG °P: 10.5 – 12.0
% ABV: 4.0 – 5.3
EBC: 60 – 120
IBU: 20 – 35

Aroma: medium to strong intensity, pronounced aroma of fine aromatic Žatec hops and roasted malt.

Taste: bitterness of medium to strong intensity, mild to moderately harsh character, full- to very full-bodied taste with a dry, roasted aftertaste, pronounced sharpness.

Lithuanian Beer

Kaimiškas Jovarų alus

(source)

OG °P: 12.0 – 15.0
% ABV: 5.6 ± 1.0
EBC: 15 – 38
IBU: 10 – 30

Colour: the colour ranges from golden yellow to golden brown (amber).

Appearance: the beer froths when poured into a jug or glass, usually creating a tall head of thick, white foam. Characteristic turbidity as a result of the yeast sediment.

Nose: a notable aroma of yeast, bread, caramel and fruit.

Taste: an intense, malty beer taste. Characteristic bitter taste of hops with a hint of yeast, berries, caramel, hazelnuts, herbs and citrus fruit. If natural honey is added, there is a hint of honey.

Discussion

What is very noticeable is that all these guidelines are awfully specific. In particular the Bavarian groups of beer styles (Munich, Mainfranken, Kulmbach, Bavaria) have a significant amount of overlap in terms of styles, and of course, they mostly contradict each other in terms of what’s an outlier but still “within style” for original gravity, ABV, bitterness and colour. Some styles even seem very restricted, like the maximum bitterness of a Munich Pils would be 38 IBU, 40 for a Bavarian Pils, 38 for Kulmbacher Pils (which in turn could be as low as 23 IBU), or even only 35 for Lower Franconian Pils.

The next question is of course: how would any of this be enforced? Several of the official documents list contact addresses for fraudulent usage of the PGI term, but what would be fraudulent here? If a Bavarian brewed a 45 IBU Pils and put a Bavarian Beer PGI logo on their bottles, would that constitute fraud and a misuse of the PGI logo? Or are these style descriptions just vague suggestions? That’s been entirely unclear to me.

A funny detail to be found in the list of styles is a former fad in German brewing that has died off since the original filing of these documents: one of them is Diät Pils, a term that has actually been discontinued in Germany about a decade ago when it was prohibited to produce and advertise food products specifically for diabetics. Another one is Eisbier or “ice beer” (not to be confused with Eisbock, a freeze-distilled strong beer), where beer is lagered at colder temperatures than normal and ice crystals are filtered out which allegedly also removes some of the bitterness compounds and thus produces a very mild-tasting beer. In fact, both fads have fallen so much out of fashion that amendments have been filed to remove both from the PGI documents.

One thing I also need to note is that I only included some of the beer-related PGI filings. Some were not specific enough (like Kölsch, which just seems to be a translation of the Kölsch-Konvention), others were a bit ridiculous because they are so hyper-regional that at the time of filing, only 2 breweries existed there (like in the case of Hofer Bier from Hof/Saale in Bavaria). No PDO filings for beer seem to exist. There exist several TSG filings for various beers, though, but I chose to not include them because they were not quite specific enough.

The Battle of the Beer Analysis Methods

When brewers measure the specific gravity of their wort or their finished beer, the two most common scales to use are either specific gravity (SG) which is particularly common in the UK and the US, and Plato which has found its way into the standard methods of beer analysis in Europe and much of the rest of the world.

John Richardson was the first one to come up with a method to measure extract in the late 18th century, and his measure of how many pounds per barrel wort was heavier than water found widespread use through devices like Long’s saccharometer.

Long’s saccharometer

When I recently went through Philipp Heiß’s “Die Bierbrauerei mit besonderer Berücksichtigung der Dickmaisch-Brauerei” from 1853, I was surprised to see the use of 3 scales to measure extract. Philipp Heiß was the former brewmaster at Spaten brewery, and through Gabriel Sedlmayr’s journey through Great Britain, they had picked up the use of Long’s saccharometer (Spaten would continue using it up to the 1870s). Besides pounds per barrel, Heiß also listed two other measurements, Balling’s saccharometer, and one that was just called Kaiser’s Procent-Aräometer (Aräometer is another word for hydrometer). Interestingly, both the specific measurements and the calibration temperature for Balling and Kaiser were identical (14°Ré = 17.5°C), and both measured the amount of extract dissolved in terms of percentage of the overall weight. So that got me thinking: were there in fact two practically identical saccharometer systems around at the time? And why does every brewer know the Bohemian brewing scientist Karl Josef Napoleon Balling (at least by surname), and nobody Bavarian chemist Kajetan Georg von Kaiser?

Turns out, the field of beer analysis in German-speaking countries was far from settled in the 1840s and 1850s. The first method that can be found in brewing literature of the time was Prof. Fuchs’ hallymetric method which involved measuring how much pure sodium chloride could be dissolved in a sample and subsequently how much lighter it got when vaporizing all the alcohol in it. In terms of process, it took a relatively long time and required consumable supplies.

Prof. Kaiser constructed his Procent-Aräometer around 1838, while Prof. Steinheil followed another approach through this “optical-areometric” method which we first published in 1843. It involved a beam balance and a refractometer and was praised for being easier to use than Prof. Fuchs’ method.

In an article by Prof. Holzner of Weihenstephan from 1883, it is noted that while Steinheil’s method was widely quoted in contemporary brewing literature, it seems like nobody actually understood the method as nobody caught two miscalculations in Steinheil’s original publications.

Balling started his research of fermentation chemistry in 1833 and first published about the general use of hydrometers in 1837, followed in 1843 by a paper about using a saccharometer to analyze beer and in 1844 his first book about fermentation chemistry (n.b. the link is to a later edition from 1854).

Karl Balling

Steinheil did not seem particularly happy about Balling’s method, as he published separate articles both about his own method and about Balling’s “saccharometric beer analysis” in 1846. Reading the article gives me the impression that Steinheil either didn’t understand Balling’s method, or misrepresented it on purpose. Steinheil claims that Balling requires the vaporization of alcohol in samples, accuses the method to be imprecise compared to other methods at the time, and in general sees no advantage in Balling’s method. The article finishes with Steinheil suggesting that Balling should work on topics in which he is knowledgable, and that in the future, should he ever publish again, should be less arrogant and show more humility.

Balling did not seem to have directly replied to this attack, but rather in a short article pointed out issues both in an article published by Prof. Fuchs as well as Steinheil’s article about the optical-aerometric method. According to Balling, what they were missing was an understanding of fermentation theory, but he still pointed out that Steinheil’s scales were potentially more precise than saccharometers.

Ultimately, Balling’s method became the standard over the years, not just because it was dead easy to use, but also because Balling had developed this whole theory of fermentation/attenuation theory (he seemed to have used the German terms Vergärungslehre und Attenuationslehre interchangeably) which made it very easy to calculate alcohol content and degree of fermentation of a beer from just two quick measurements, the original extract before fermentation and the apparent extract after fermentation had finished. In Austria, Balling’s work even very quickly found its use for taxation.

Steinheil’s downfall came when he was too aggressive in pushing his own method with Bavarian officials: while his beam balance was made an official method in Bavaria to measure extract, the optical part of his method was not. To show how useful his method was, he conducted some measurements on his own and in 1846 wrote a letter to a Bavarian ministry in which he claimed that his analyses showed that the beer of the season had a lower extract than expected, thus brewers must have illegally used lower amounts of malt than they had to (at the time, Bavaria strictly regulated how much malt a brewer had to use to brew a particular volume of either summer or winter beer), which according to Steinheil showed the necessity for a simple analysis method (i.e. his own). Not only did he accuse brewers of fraud, the publication of this letter also angered local beer drinkers. To avert another beer riot like in 1844, officials in Munich had to lower the beer price. The only problem was: the barley used for brewing the 1846 beer was of poor quality, the harvest had been bad, and the malt gave lower extract than usual.

Steinheil also had his findings co-signing by Prof. Kaiser, who did not oversee parts of the calculation and was only made aware of the letter after Steinheil had sent it off. The ministry of course immediately ordered a verification of Steinheil’s result, which was negative: all beers were well within their parameters and of excellent quality.

It was decided that local authorities were to be equipped with the means to conduct such beer analyses themselves in the future. To answer the question which method was the most suitable, the polytechnic association of Bavaria put together a committee to investigate it. This committee consisted of the leading brewing chemists at the time, like Prof. Fuchs, Prof. Kaiser and Prof. Steinheil, but also brewing practitioner Gabriel Sedlmayr.

During this work, Steinheil was very insistent that his method was the best, of course with the idea that he’d be able to sell his devices to the Bavarian State, but all his attempts to have his device put first were struck down by the rest of the committee. Gabriel Sedlmayr even said that it took him over a year from being instructed in the use of Steinheil’s method to getting results with it that were verifiably correct. In later experiments, it was shown that Steinheil’s method deviated from the others, so Steinheil kept submitting further undated analysis protocols which suddenly showed the right results that matched up with other analyses. The whole conflict escalated when Steinheil made further outrageous claims about devices he had invented for Prof. Fuchs, all of which were countered by sworn statements from other members of the committee that Steinheil is not telling the truth. This seems to have further deteriorated his already questionable reputation.

From Prof. Holzner we also learn why Kaiser’s method eventually disappeared: Prof. Kaiser had sold the rights to build his Aräometer to a company named Greiner. Unfortunately, the company lost the instructions how to build the device, and so production simply ceased.

Balling’s success though meant that his calculations were put under further scrutiny: in Bavaria, Dr. Reischauer helped with its popularization, which eventually got him to re-examine Balling’s tables as he came across some deviations in his own private experiments. Balling had not published all his data, but rather only finished conversion tables, and seemed to have made some mistakes in it. Another brewing scientist named Schultze also did his own experiments to come up with another conversion table. Ultimately, Dr. Holzner was able to show that any deviations between Balling, Schultze and Steinheil (who had also created similar conversion tables) could be simply explained by reading errors.

The rest is history. Balling’s work was later refined in 1900 by Dr. Fritz Plato, who built upon Balling’s publications but calibrated it to 20°C. Balling’s formula (that puts original extract (before fermentation), real extract (after fermentation) and alcohol content in a direct relationship to each other and allows the calculation of each of these if the two other values are known) can be found in every serious brewing text book, while Steinheil’s and Kaiser’s methods have drifted into obscurity.

What were English Kilns?

While it might seem like a minor, mundane detail, I keep getting asked what an “English kiln” was, particularly in the context of 19th century Continental beer brewing. English kilns are mentioned in the context of Anton Dreher (who personally witnessed British malting techniques), and the Burghers’ Brewery in Pilsen, nowadays better known as Pilsner Urquell, is also often mentioned as having used one since 1842 (just Google “english kiln” “pilsner urquell” and you will find plenty of sources). But what is usually not answered is: what actually was an English kiln? Any kiln designed or built in England, or rather a specific type, and where does the association with England come from anyway?

So when I started searching for sources, I was very surprised to find an 1785 book about fuel efficient stoves with a description of what is called an English malt kiln (“englische Malzdarre”), including technical drawings. Essentially, this English kiln used hot air to kiln the malt, and it generated this hot air by directing its hot smoke through a maze of pipes that would transmit the heat to the air, without the smoke ever touching the malt itself.

The next reference to a hot air kiln that I could find was Hermbstädt in 1826. He was a respected early brewing scientist in Berlin at the time, but admitted that he had never seen nor built a kiln that just uses hot air. The thought of it seemed important enough to him that he floated the idea in his book, which was basically an oven that would heat up a metal pipe to be glowing hot which would in turn heat up the surrounding air. This hot air would then flow through the green malt and carry its humidity with it and out the chimney.

But already in 1831, Leuchs mentioned two principal types of kilns: smoke kilns and hot air kilns, followed by a one sentence comment: “in England the latter types of malt kilns are often placed underneath the drying floors.” This is the first source I could find that directly associates hot air kilns with England, not just in name, but specifically as a place where these were being used.

Professor Balling, the legendary Bohemian brewing scientist, makes a similar point: hot air kilns were first built and used in England, and are thus also called English malt kilns.

All these authors recognized the advantages of hot air kilns, though: not only was the hot air dry and thus very effective in drying out the malt, it also prevented the smoke from touching any of the grains, thus not transmitting any smoke flavour into the malt. With smoke kilns, maltsters had to be careful which fuel to use, and generally, only properly dried and cured hardwood like beech or oak were used that would impart only a slight smokiness that was not unpleasant. With hot air kilns, it was possible to switch to other, cheaper fuels that could burn dirtier than old-fashioned smoke kilns, making malt production cheaper.

Interestingly, an 1846 brewing book by Julius Gumbinner discusses two different constructions of English malt kilns, but then also goes on to describe Bavarian kilns which apparently were still fairly widespread in Bavaria at the time, and were essentially what was called Dutch kilns, an advanced type of smoke kiln that tried to minimize the contact of smoke with the malt so that it imparts as little smoke flavour as possible.

In 1850, J. F. Schultze mentions hot air kilns and calls them English malt kilns, but also briefly describes a different type of malt kiln, the Brabant malt kiln but apparently (besides kilning malt) could also be used to pre-dry malt (something that German maltsters at the time would do at room temperatures over several days) as well as drying freshly harvested grains in general. The specific distinction in construction is not entirely clear to me, but Schultze claims both types had some disadvantages which could be alleviated by combining the English and Brabant malt kiln design.

Philipp Heiß, former brewmaster at Spaten, published a brewing book in 1853, and of course briefly mentioned kilns. He referenced Balling, but adds another detail for nuance: at the time, some English maltings still used very simple coke-fired smoke kilns. Heiß also corroborates Schultzes mention of Brabant hot air kilns, but he mentions the Netherlands as a place where maltings employed hot air kilns that used simple clay pipes to transmit heat from the smoke to the surrounding air (i.e. they have no connection to the Dutch kilns mentioned by Gumbinner).

Ladislaus von Wágner goes even further in his 1877 book where he claims that the term “English malt kiln” is inaccurate because England is the place were hot air kilns are used less often compared to Austria-Hungary and Bavaria where breweries had mostly switched from smoke to hot air kilns.

After reviewing all this literature, my impression of what an English kiln was during the 19th century has certainly improved: an English kiln was simply a hot air kiln that allowed smoke-free kilning of malt, and it was named an English kiln because the technique of hot air kilning seems to have first been applied in England, even though coke-fired smoke kilns remained in use there for a relatively long time.

There seemed to have been lots of different constructions of how these kilns were built, and German engineers surely quickly adapted and came up with lots of different designs. I even found one book from 1881 with a whole chapter on all the possible details how to construct kilns. But the idea of smoke-free hot air kilns seems to have been around for a long time, and at least somewhat documented in brewing literature of the first half of the 19th century. All it needed was young, curious brewers and maltster to pick up these books, learn about English kilns, and adopt them in their own breweries. None of that seemed secret or even involved industrial espionage (like some contemporary beer books suggest), nor did it require the import of kilns built in England.

Probably the most useless fact that I picked up during this research though was from a book that advertises different kiln constructions: what do the breweries Tetley & Sons (Leeds), Schultheiss and Landré (both Berlin) have in common? They all had the same specific model of hot air kiln installed, by E. Münnich & Co in Chemnitz. Remember that for beer history trivia night!